Isbn: 9780822315964 - jazz among the discourses (26 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art.…

Trade Paperback Original. Condición: Good+. First Edition. Volume has wear; tight, text clean. viii, [2], 288 p. [ifo b 316 wht bdha].

Trade Paperback. Condición: Used - Like New.

Oversize Paperback. Condición: GOOD. Durham, NC: DukeUniversity Press, 1995. Oversize Paperback. GOOD. Tight, bright, clean and square but has penciled check marks in margins and some pencil underlining. 6" x 9.25" x 0.8". 288 indexed pages, with annotated essays with cited works. Content: Rethinking Jazz History (6 essays); The Jazz Artist Among the Discourses (30; The Essential Context: Jazz and Politics(2). …

Softcover. Condición: Very Good+. No Dust Jacket. 9.2 X 6.4 X 0.8 inches; 304 pages.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780822315964. …

Condición: new.

Paperback. Condición: Brand New. 2nd edition. 304 pages. 9.25x6.00x0.75 inches. In Stock.

Condición: New. pp. 304 7 Illus.

Condición: New. In English.

Condición: New. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? Editor(s): Gabbard, Krin. Num Pages: 304 pages, 7 illustrations. BIC Classification: 1KBB; AVGJ; RN. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 20. Weight in Grams: 522. . 1995. 2nd ed. Paperback. . . . .…

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 304 Index.

Condición: New. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? Editor(s): Gabbard, Krin. Num Pages: 304 pages, 7 illustrations. BIC Classification: 1KBB; AVGJ; RN. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 20. Weight in Grams: 522. . 1995. 2nd ed. Paperback. . . . . Books ship from the US and Ireland.…

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condición: Neu. Jazz Among the Discourses | Krin Gabbard | Taschenbuch | Englisch | 1995 | Duke University Press | EAN 9780822315964 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging 'official jazz histories,' the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record Why did jazz writers first make the claim that jazz is an art How is an African American aesthetic articulated through the music What are the consequences of the interaction between the critic and the jazz artist How does the improvising artist navigate between chaos and discipline Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser 304 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging 'official jazz histories,' the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record Why did jazz writers first make the claim that jazz is an art How is an African American aesthetic articulated through the music What are the consequences of the interaction between the critic and the jazz artist How does the improvising artist navigate between chaos and discipline Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser.…