9780822314196 - Shards of Love: Exile and the Origins of the Lyric de Menocal, María Rosa (26 resultados)

Soft cover. Condición: Good. Clean pages. NOT ex-library.

Condición: Very Good. paperback 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

paperback. Condición: Good.

Paperback. Condición: Very Good. A bright, clean copy. ; 8.1 X 6.0 X 0.9 inches; 312 pages.

paperback. Condición: Very Good. Signed. INSCRIBED by Maria Rosa Menocal to previous owner on title page: "For Francis, another book that wouldn't have existed without you." Dated 1994.Gently used, no markings. Light edgewear to covers.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: new. Paperback. With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as Maria Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology. "One of the multiple perspectives that Professor Menocal's book offers to the reader is to understand it as a genealogy of the discipline 'Romance Philosophy' . . . Romance philology, for Menocal, is a late concretization of a century-long process of nostaglia: a nostalgia for a truly 'multicultural' world which constituted the 'Middle Ages' on the Iberian penisula and which was definitely destroyed, from 1492 on, by the Inquisition and the conquest of America as double departure towards European modernity. Menocal's genealogy of this nostalgia reveals an almost uncanny closeness between lyrical poetry and erudite discourses as the basis for academic medievalism."—Hans Ulrich Gumbrecht, Stanford University Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pp. 312.

Condición: New.

Condición: New. Num Pages: 312 pages. BIC Classification: DSC; HBG; HBLC. Category: (P) Professional & Vocational. Dimension: 5334 x 3887 x 22. Weight in Grams: 476. . 1993. Paperback. . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 312 Index.

Condición: New. Num Pages: 312 pages. BIC Classification: DSC; HBG; HBLC. Category: (P) Professional & Vocational. Dimension: 5334 x 3887 x 22. Weight in Grams: 476. . 1993. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 312 pages. 8.25x6.25x0.75 inches. In Stock.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. InhaltsverzeichnisPrelude ix1. The Horse Latitudes 1II. Scandal 551. Love and Mercy 572. The Inventions of Philology 913. Chasing the Wind 142III. Desire 185IV. Readings and Sources 189Works Cited .

Paperback. Condición: New. With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Taschenbuch. Condición: Neu. Neuware - With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as MarÍa Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the 'original' medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Paperback. Condición: Brand New. 312 pages. 8.25x6.25x0.75 inches. In Stock. This item is printed on demand.

Paperback. Condición: new. Paperback. With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as Maria Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology. "One of the multiple perspectives that Professor Menocal's book offers to the reader is to understand it as a genealogy of the discipline 'Romance Philosophy' . . . Romance philology, for Menocal, is a late concretization of a century-long process of nostaglia: a nostalgia for a truly 'multicultural' world which constituted the 'Middle Ages' on the Iberian penisula and which was definitely destroyed, from 1492 on, by the Inquisition and the conquest of America as double departure towards European modernity. Menocal's genealogy of this nostalgia reveals an almost uncanny closeness between lyrical poetry and erudite discourses as the basis for academic medievalism."—Hans Ulrich Gumbrecht, Stanford University This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.