Isbn: 9780820326238 - smile when you call me a hillbilly: country music's struggle for respectability, 1939-1954 (19 resultados)

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  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Your Online Bookstore, Houston, TX, Estados Unidos de AmericaYour Online Bookstore

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    paperback. Condición: Fair.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: HPB-Ruby, Dallas, TX, Estados Unidos de AmericaHPB-Ruby

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    paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Manchester By The Book, Manchester-By-the-Sea, MA, Estados Unidos de AmericaManchester By The Book

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    Paperback. Condición: Very Good. No markings. Creasing to front cover and first few pages.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Else Fine Booksellers, Tacoma, WA, Estados Unidos de AmericaElse Fine Booksellers

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    Condición: Usado - Bueno

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    Soft cover. Condición: Very Good. Creasing to back cover, light overall wear to edges. Text is clean and the binding is firm.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Textbooks_Source, Columbia, MO, Estados Unidos de AmericaTextbooks_Source

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    paperback. Condición: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: One Planet Books, Columbia, MO, Estados Unidos de AmericaOne Planet Books

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    paperback. Condición: Like New. Ships in a BOX from Central Missouri! Like Brand NEW. No tears, highlighting or writing because it's never been used! May have minor shelf wear. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

  • Idioma: Inglés

    Editorial: University of Georgia Press, US, 2004

    0820326232 / 9780820326238

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    Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA

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    Paperback. Condición: New. Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as "hillbilly music." In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon.In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music's expanding appeal. As he analyzes the recordings and comments of each of the subgenre's most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability.Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from "hillbilly" music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.…

  • Idioma: Inglés

    Editorial: LUP - University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: University of Georgia Press 2004-08, 2004

    0820326232 / 9780820326238

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    Librería: Chiron Media, Wallingford, Reino UnidoChiron Media

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    PF. Condición: New.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections

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    Condición: New. In English.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

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    Condición: New. In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon. Num Pages: 400 pages, 10 b&w photographs, 20 tables, 2 maps, 1 figure. BIC Classification: 1KBB; 3JJH; 3JJPG; AVGL. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 21. Weight in Grams: 449. . 2004. Paperback. . . . .…

  • Idioma: Inglés

    Editorial: Univ of Georgia Pr, 2004

    0820326232 / 9780820326238

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Paperback. Condición: Brand New. 313 pages. 8.75x5.75x1.00 inches. In Stock.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore

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    Condición: New. In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon. Num Pages: 400 pages, 10 b&w photographs, 20 tables, 2 maps, 1 figure. BIC Classification: 1KBB; 3JJH; 3JJPG; AVGL. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 21. Weight in Grams: 449. . 2004. Paperback. . . . . Books ship from the US and Ireland.…

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd

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    Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 2004

    0820326232 / 9780820326238

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    Librería: The Book Spot, Sioux Falls, MN, Estados Unidos de AmericaThe Book Spot

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    Paperback. Condición: New.

  • Idioma: Inglés

    Editorial: University Of Georgia Press Aug 2004, 2004

    0820326232 / 9780820326238

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Taschenbuch. Condición: Neu. Neuware - Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as 'hillbilly music.' In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music's expanding appeal. As he analyzes the recordings and comments of each of the subgenre's most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from 'hillbilly' music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.…

  • Idioma: Inglés

    Editorial: UNIV OF GEORGIA PR, 2004

    0820326232 / 9780820326238

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    Librería: moluna, Greven, Alemaniamoluna

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    Condición: New. &Uumlber den AutorJEFFREY J. LANGE currently teaches history at the University of St. Francis in Joliet, Illinois.KlappentextrnrnToday, country music enjoys a national fan base that transcends both economic and socia.

  • Idioma: Inglés

    Editorial: University of Georgia Press, US, 2004

    0820326232 / 9780820326238

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    Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK

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    Paperback. Condición: New. Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as "hillbilly music." In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music's transformation from a rural, southern folk art form to a national phenomenon.In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music's expanding appeal. As he analyzes the recordings and comments of each of the subgenre's most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability.Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from "hillbilly" music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.…

  • Idioma: Inglés

    Editorial: Univ of Georgia Pr, 2004

    0820326232 / 9780820326238

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Paperback. Condición: Brand New. 313 pages. 8.75x5.75x1.00 inches. In Stock. This item is printed on demand.