Isbn: 9780820317267 - science fiction and market realities (proceedings of the j. lloyd eaton conference on science fiction and fantasy literature) (10 resultados)

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  • Idioma: Inglés

    Editorial: University of Georgia Press, 1996

    0820317268 / 9780820317267

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    Librería: Books From California, Simi Valley, CA, Estados Unidos de AmericaBooks From California

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    Condición: Usado - Aceptable

    EUR 19,08

    Envío por EUR 4,34 
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    Cantidad disponible: 1 disponibles

    hardcover. Condición: Good.

  • Idioma: Inglés

    Editorial: University of Georgia Press, Georgia, 1996

    0820317268 / 9780820317267

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Condición: Nuevo

    EUR 64,79

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    Cantidad disponible: 1 disponibles

    Hardcover. Condición: new. Hardcover. The modern marketplace of science fiction, and the relationship between art, culture, and commerce as reflected in works of science fiction, are the concerns of these original essays. The contributors, all of whom are science fiction writers, editors, or critics, offer a wealth of new perspectives and insights on the forces that both drive and hinder creativity and its commodification.Many of the essays look at how the market constrains a writer's aesthetic and financial development, how changing perceptions of the science fiction audience are "distorting the product," how writers can and must persevere against the problems facing them, and how the market, as a literature-generating machine out of control, has both its down- and upsides.Through case studies, other contributors relate science fiction to other forms of "underground" literature, consider the continual cycle of illegitimate art replacing legitimate art, look at young readers of science fiction, chart the rising and falling "stock" of science fiction writers' reputations, and consider the influence of editors on a writer's work.Finally, in looking at science fiction and market realities in other countries and other media, the contributors examine American and British science fiction in the context of the two countries' different histories and market conditions, Russian science fiction and the collapse of the Soviet Union, independent and mass-market science fiction film and video, the opening up of the comic book market, and interactive computer games. The modern marketplace of science fiction, and the relationship between art, culture, and commerce as reflected in works of science fiction, are the concerns of these original essays. The contributors offer a wealth of new perspectives and insights on the forces that both drive and hinder creativity and its commodification. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Eurospan, 1996

    0820317268 / 9780820317267

    • Tapa dura

    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 66,55

    Envío por EUR 9,50 
    Se envía de Irlanda a Estados Unidos de America

    Cantidad disponible: 4 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Univ of Georgia Pr, 1996

    0820317268 / 9780820317267

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Condición: Nuevo

    EUR 76,37

    Envío por EUR 14,58 
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    Cantidad disponible: 2 disponibles

    Hardcover. Condición: Brand New. 220 pages. 9.50x6.50x1.00 inches. In Stock.

  • Idioma: Inglés

    Editorial: Eurospan, 1996

    0820317268 / 9780820317267

    • Tapa dura

    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore

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    Condición: Nuevo

    EUR 85,84

    Envío por EUR 9,14 
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    Cantidad disponible: 4 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 1996

    0820317268 / 9780820317267

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    Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle

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    Condición: Nuevo

    EUR 104,95

    Envío por EUR 3,47 
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    Cantidad disponible: 1 disponibles

    Condición: New. pp. 232.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 1996

    0820317268 / 9780820317267

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    Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books

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    Condición: Nuevo

    EUR 104,38

    Envío por EUR 7,58 
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    Cantidad disponible: 1 disponibles

    Condición: New. pp. 232.

  • Idioma: Inglés

    Editorial: UNIV OF GEORGIA PR, 1996

    0820317268 / 9780820317267

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    Librería: moluna, Greven, Alemaniamoluna

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    Condición: Nuevo

    EUR 60,08

    Envío por EUR 48,99 
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    Cantidad disponible: 4 disponibles

    Condición: New. &Uumlber den AutorGeorge Slusser (Editor) GEORGE SLUSSER is a professor comparative literature and director of the Eaton Program for Science Fiction and Fantasy Studies at the University of California, Riverside. He is the a.

  • Idioma: Inglés

    Editorial: University of Georgia Press, 1996

    0820317268 / 9780820317267

    • Tapa dura

    Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 127,32

    Envío por EUR 6,05 
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    Cantidad disponible: 1 disponibles

    Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

  • Idioma: Inglés

    Editorial: University Of Georgia Press Aug 1996, 1996

    0820317268 / 9780820317267

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Condición: Nuevo

    EUR 113,55

    Envío por EUR 30,50 
    Se envía de Alemania a Estados Unidos de America

    Cantidad disponible: 2 disponibles

    Buch. Condición: Neu. Neuware - The modern marketplace of science fiction, and the relationship between art, culture, and commerce as reflected in works of science fiction, are the concerns of these original essays. The contributors, all of whom are science fiction writers, editors, or critics, offer a wealth of new perspectives and insights on the forces that both drive and hinder creativity and its commodification. Many of the essays look at how the market constrains a writer's aesthetic and financial development, how changing perceptions of the science fiction audience are 'distorting the product,' how writers can and must persevere against the problems facing them, and how the market, as a literature-generating machine out of control, has both its down- and upsides. Through case studies, other contributors relate science fiction to other forms of 'underground' literature, consider the continual cycle of illegitimate art replacing legitimate art, look at young readers of science fiction, chart the rising and falling 'stock' of science fiction writers' reputations, and consider the influence of editors on a writer's work. Finally, in looking at science fiction and market realities in other countries and other media, the contributors examine American and British science fiction in the context of the two countries' different histories and market conditions, Russian science fiction and the collapse of the Soviet Union, independent and mass-market science fiction film and video, the opening up of the comic book market, and interactive computer games.