Isbn: 9780817355104 - comedy tonight!: 16 (theatre symposium series) (15 resultados)

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    Paperback. Condición: New. New paperback. An unread/unopened copy. May have VERY minor rubbing and scuffing from shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

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    Editorial: MP-ALB University of Alabama, 2008

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    Editorial: University Alabama Press, 2008

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    Editorial: The University of Alabama Press, US, 2008

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    Paperback. Condición: New. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound.

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    Paperback. Condición: Brand New. new edition. 137 pages. 8.75x5.75x0.50 inches. In Stock.

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    Condición: New. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Editor(s): Malarcher, Jay. Series: Theatre Symposium. Num Pages: 152 pages. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 272. . 2008. New. Paperback. . . . .

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    Condición: New. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Editor(s): Malarcher, Jay. Series: Theatre Symposium. Num Pages: 152 pages. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 272. . 2008. New. Paperback. . . . . Books ship from the US and Ireland.

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    Editorial: The University Of Alabama Press Sep 2008, 2008

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    Taschenbuch. Condición: Neu. Neuware - For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ''Theatre Symposium'' illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ''The Commedia dell'Arte as the Quintessence of Comedy'' introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ''Theatre du Grand Guignol''; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound.

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    Editorial: UNIV OF ALABAMA PR, 2008

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    Kartoniert / Broschiert. Condición: New. Features essays that illustrate the range of material that falls under the heading comedy as it is played on stage. This volume includes essays that address the improvisational nature of Commedia and the roots of laughter and the expectations inherent .

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    Paperback. Condición: New. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound.

  • Idioma: Inglés

    Editorial: The University of Alabama Press, 2008

    0817355103 / 9780817355104

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    Taschenbuch. Condición: Neu. Comedy Tonight! | Jay Malarcher | Taschenbuch | Theatre Symposium Series | Einband - flex.(Paperback) | Englisch | 2008 | The University of Alabama Press | EAN 9780817355104 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.