9780816691265 - reading writing interfaces: from the digital to the bookbound: 44 (electronic mediations) de emerson, lori (13 resultados)
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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EUR 8,02
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Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: Avol's Books LLC, Madison, WI, Estados Unidos de AmericaAvol's Books LLC
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EUR 8,89
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Paperback. Condición: Fine.
Idioma: Inglés
Editorial: University of Chicago press, 2014
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 24,03
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Condición: New. Brand New.
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 24,86
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Condición: New.
Idioma: Inglés
Editorial: University of Minnesota Press, US, 2014
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 27,21
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Paperback. Condición: New. Lori Emerson examines how interfaces-from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes-mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the p…ast, she shows how writers have long tested and transgressed technological boundaries. Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson's self-printing projects as a challenge to the coherence of the book. Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers-from Emily Dickinson to Jason Nelson and Judd Morrissey-work with and against media interfaces to undermine the assumed transparency of conventional literary practice.
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 27,11
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: MP - University Of Minnesota Press, 2014
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 28,93
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Editorial: Univ of Minnesota Pr, 2014
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 27,09
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Paperback. Condición: Brand New. 232 pages. 8.50x5.50x1.00 inches. In Stock.
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 25,88
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Condición: New.
Idioma: Inglés
Editorial: Univ Of Minnesota Press, 2014
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 30,17
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: University of Minnesota Press, 2014
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 41,63
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Condición: New. Series: Electronic Mediations. Num Pages: 232 pages, 41 black & white illustrations. BIC Classification: CFL. Category: (G) General (US: Trade). Dimension: 217 x 140 x 20. Weight in Grams: 298. . 2014. Paperback. . . . .
Idioma: Inglés
Editorial: University of Minnesota Press, 2014
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 50,75
Envío por EUR 9,06Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: New. Series: Electronic Mediations. Num Pages: 232 pages, 41 black & white illustrations. BIC Classification: CFL. Category: (G) General (US: Trade). Dimension: 217 x 140 x 20. Weight in Grams: 298. . 2014. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: University of Minnesota Press, US, 2014
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 25,87
Envío por EUR 76,04Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: New. Lori Emerson examines how interfaces-from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes-mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the p…ast, she shows how writers have long tested and transgressed technological boundaries. Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson's self-printing projects as a challenge to the coherence of the book. Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers-from Emily Dickinson to Jason Nelson and Judd Morrissey-work with and against media interfaces to undermine the assumed transparency of conventional literary practice.
