Isbn: 9780813522265 - silent film (rutgers depth of field series) (18 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condición: Good. Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. Still others focus on early cinema's intertextual relations with various forms of mass culture (from magazine stories or sensational melodramas in the United States to the tango craze in Russia), and on reception in silent cinema (from black audiences in Chicago to women's fan magazines of the 1920s). Taken together, the contributors to this volume suggest provocative parallels between silent cinema at the turn of the last century and "postmodern" cinema at the end of our own. This book is an important contribution to the study of silent film and a key addition to this new series.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: G+. 319pp. Index. Wear wraps, soiling, creasing front.

Soft cover. Condición: Very Good. Pictorial front cover. A few B/W illustrations scattered through the book. Previous owner's name at top of ffep. Photos of book on request.

Trade Paperback. Condición: Very Good. Slight scuffing to covers, otherwise very good, no markings. Flat spine has no cracks or creasing. Minimal usage.

Soft cover. Condición: Fine. This is a clean copy with a remainder mark on the bottom edge, but is otherwise unmarked with light outer wear.

Paperback. Condición: Very Good. This book is in very good condition; with small remainder mark on bottom edge. It does have some shelfwear. Inside pages are clean. ; Rutgers Depth of Field Series; 8.90 X 6 X 0.90 inches; 334 pages.

Paperback. Condición: Very Good. No Jacket. Cover is in excellent condition, save for minimal corner bumping. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

Condición: New. Brand New.

Soft cover. Condición: Near Fine. 1996, 319 pages | gently read or unread copy - clean and bright, uncreased spine, and free of name, notes etc | carefully packaged and dispatched from UK within two working days.

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paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Brand New. 319 pages. 6.00x6.00x1.00 inches. In Stock.

Condición: New. &Uumlber den AutorAble, RichardInhaltsverzeichnisIntroduction The Materiality of Silent Cinema The Color of Nitrate: Some Factual Observations on Tinting and Toning Manuals for Silent Films T.

Taschenbuch. Condición: Neu. Neuware - Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the 'materiality' of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a 'cinema of attractions' to a 'classical narrative cinema,' on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. Still others focus on early cinema's intertextual relations with various forms of mass culture (from magazine stories or sensational melodramas in the United States to the tango craze in Russia), and on reception in silent cinema (from black audiences in Chicago to women's fan magazines of the 1920s). Taken together, the contributors to this volume suggest provocative parallels between silent cinema at the turn of the last century and 'postmodern' cinema at the end of our own. This book is an important contribution to the study of silent film and a key addition to this new series. …