9780813064758 - american intervention and modern art in south america de herrera, olga u. (8 resultados)
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 31,86
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Condición: New. Brand New.
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 47,64
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 48,97
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Paperback. Condición: new. Paperback. In this volume, Olga Herrera tells the story of how the United States used modern art as a cultural defense strategy in South America during World War II. Organized by figures such as Nelson A. Rockefeller, John Hay Whitney, and Lincoln Kirstein as part of Franklin Delano Roosevelts war prep…aredness program, the Art Section of the Office of the Coordinator of Inter-American Affairs (CI-AA) linked art and national security. In the process, modern art came to symbolize American values of social progress, peace, and democracy.The Art Section, a crucial yet rarely acknowledged arm of the CI-AA--a temporary wartime agency--supported traveling exhibitions of American paintings, furniture, and poster design competitions for artists across the Western Hemisphere, as well as widespread distribution of films with South American themes and circulation of Latin American art within the United States. These exchanges of art and ideas were meant to counter negative views of U.S. culture spread by Nazi and totalitarian sympathizers. Modern art became a tool to visually project U.S. culture and was used to unify the hemisphere against Axis influence in a cultural battlefield.Herrera illustrates how the program was an unprecedented public-private model of support for the arts, a driving force in the emergence of a Latin American art market in the United States, and a foundation for global art networks still in place today. A volume in the series Latin American and Caribbean Arts and Culture, funded by the Andrew W. Mellon Foundation. Tells the story of how the United States used modern art as a cultural defense strategy in South America during World War II. Organised by figures such as Nelson A. Rockefeller, the Art Section of the Office of the Coordinator of Inter-American Affairs linked art and national security. In the process, modern art came to symbolize American values. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 54,86
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 60,18
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Paperback. Condición: Brand New. reprint edition. 319 pages. 9.25x6.00x1.00 inches. In Stock.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 68,20
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Librería: moluna, Greven, Alemaniamoluna
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EUR 47,95
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Condición: New. Tells the story of how the United States used modern art as a cultural defense strategy in South America during World War II. Organised by figures such as Nelson A. Rockefeller, the Art Section of the Office of the Coordinator of Inter-American Affairs link.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 62,00
Envío por EUR 62,95Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware - In this volume, Olga Herrera tells the story of how the United States used modern art as a cultural defense strategy in South America during World War II. Organized by figures such as Nelson A. Rockefeller, John Hay Whitney, and Lincoln Kirstein as part of Franklin Delano Roosevelt's war pr…eparedness program, the Art Section of the Office of the Coordinator of Inter-American Affairs (CI-AA) linked art and national security. In the process, modern art came to symbolize American values of social progress, peace, and democracy.The Art Section, a crucial yet rarely acknowledged arm of the CI-AA--a temporary wartime agency--supported traveling exhibitions of American paintings, furniture, and poster design competitions for artists across the Western Hemisphere, as well as widespread distribution of films with South American themes and circulation of Latin American art within the United States. These exchanges of art and ideas were meant to counter negative views of U.S. culture spread by Nazi and totalitarian sympathizers. Modern art became a tool to visually project U.S. culture and was used to unify the hemisphere against Axis influence in a cultural battlefield.Herrera illustrates how the program was an unprecedented public-private model of support for the arts, a driving force in the emergence of a Latin American art market in the United States, and a foundation for global art networks still in place today. A volume in the series Latin American and Caribbean Arts and Culture, funded by the Andrew W. Mellon Foundation.
