9780811237642 - The Principle of Rapid Peering de Legris, Sylvia (23 resultados)

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Paperback. Condición: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.

Paperback. Condición: new. Paperback. Self-seeding wind is a wind of ever-replenishing breath. from The Walk, or The Principle of Rapid Peering The title of Sylvia Legris melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of rapid peering. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalists notebook in verse. Here is where nature converges with words, as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance. A lyrical guide through Saskatchewans Aspen Parkland by a poet whose work is fizzing with ecological intellect (Times Literary Supplement). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.

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paperback. Condición: New. Special order item direct from the distributor.

Paperback. Condición: new. Paperback. Self-seeding windis a wind of ever-replenishing breath. from The Walk, or The Principle of Rapid Peering The title of Sylvia Legris melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of rapid peering. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalists notebook in verse. Here is where nature converges with words, as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance. A lyrical guide through Saskatchewans Aspen Parkland by a poet whose work is fizzing with ecological intellect (Times Literary Supplement). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.

Paperback. Condición: new. Paperback. Self-seeding wind is a wind of ever-replenishing breath. from The Walk, or The Principle of Rapid Peering The title of Sylvia Legris melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of rapid peering. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalists notebook in verse. Here is where nature converges with words, as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance. A lyrical guide through Saskatchewans Aspen Parkland by a poet whose work is fizzing with ecological intellect (Times Literary Supplement). Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. &Uumlber den AutorSylvia Legris was born in Winnipeg, Manitoba. Her collection Garden Physic was chosen as one of the Best Poetry Books of the Year by The (London) Times and CBC/Radio-Canad.

Taschenbuch. Condición: Neu. Neuware - Self-seeding wind.

Paperback. Condición: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.