Isbn: 9780807153871 - critical appropriations: african american women and the construction of transnational identity (southern literary studies) (9 resultados)

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  • Idioma: Inglés

    Editorial: University of Nebraska Press, 2014

    0807153877 / 9780807153871

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    Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO

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    EUR 31,42

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    Cantidad disponible: Más de 20 disponibles

    Condición: New. Brand New.

  • Idioma: Inglés

    Editorial: LSU Press, 2014

    0807153877 / 9780807153871

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    Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books

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    Condición: Nuevo

    EUR 44,87

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    Cantidad disponible: 18 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Louisiana State University Press, Baton Rouge, 2014

    0807153877 / 9780807153871

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Condición: Nuevo

    EUR 49,29

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    Cantidad disponible: 1 disponibles

    Hardcover. Condición: new. Hardcover. From the novels of Toni Morrison to the music of Beyonce Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. In Critical Appropriations, Drake contends that these fluid and hetero-geneous characterizations of black females arise from multiple creative outlets - literature, film, and music videos - and reflect African Ameri-can women's evolving concept of home, community, gender, and family.Through a close examination of Toni Morrison's Paradise, Danzy Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyonce Knowles's B-Day album and music-video collaboration with Shakira, ""Beautiful Liar,"" Drake reveals how concepts of hybridity - whether positioned as creolite, Candomble, negritude, Latinidad, or Brasilidade - are appropriated in each work of art as a way of challenging the homogeneous paradigm of black cultural studies. This redefined notion of identity enables African American women to embrace a more complex, transnational blackness that is not only more liberating but also more pertinent to their experiences. Drawing from this borderless exchange of ideas and a richer concept of self, Critical Appropriations offers a rewarding reconsideration of the creative implications for African American women, mapping new directions in black women's studies. From the novels of Toni Morrison to the music of Beyonce Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Louisiana State University Press, 2014

    0807153877 / 9780807153871

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    Librería: Asano Bookshop, Nagoya, AICHI, JaponAsano Bookshop

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    Condición: Nuevo

    EUR 31,41

    Envío por EUR 32,23 
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    Cantidad disponible: 1 disponibles

    Condición: Brand New.

  • Idioma: Inglés

    Editorial: LSU Press, 2014

    0807153877 / 9780807153871

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    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

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    Condición: Nuevo

    EUR 53,99

    Envío por EUR 9,50 
    Se envía de Irlanda a Estados Unidos de America

    Cantidad disponible: 18 disponibles

    Condición: New. 2014. Hardcover. . . . . .

  • Idioma: Inglés

    Editorial: Louisiana State Univ Pr, 2014

    0807153877 / 9780807153871

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Condición: Nuevo

    EUR 58,84

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    Cantidad disponible: 2 disponibles

    Hardcover. Condición: Brand New. 186 pages. 8.75x5.50x0.75 inches. In Stock.

  • Idioma: Inglés

    Editorial: LSU Press, 2014

    0807153877 / 9780807153871

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    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore

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    Condición: Nuevo

    EUR 65,96

    Envío por EUR 9,15 
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    Cantidad disponible: 18 disponibles

    Condición: New. 2014. Hardcover. . . . . . Books ship from the US and Ireland.

  • Idioma: Inglés

    Editorial: LOUISIANA ST UNIV PR, 2014

    0807153877 / 9780807153871

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    Librería: moluna, Greven, Alemaniamoluna

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    Condición: Nuevo

    EUR 47,31

    Envío por EUR 48,99 
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    Cantidad disponible: Más de 20 disponibles

    Gebunden. Condición: New. From the novels of Toni Morrison to the music of Beyonce Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these .

  • Idioma: Inglés

    Editorial: LSU Press Mai 2014, 2014

    0807153877 / 9780807153871

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Condición: Nuevo

    EUR 87,36

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    Cantidad disponible: 2 disponibles

    Buch. Condición: Neu. Neuware - From the novels of Toni Morrison to the music of Beyoncé Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. In Critical Appropriations, Drake contends that these fluid and hetero-geneous characterizations of black females arise from multiple creative outlets - literature, film, and music videos - and reflect African Ameri-can women's evolving concept of home, community, gender, and family.Through a close examination of Toni Morrison's Paradise, Danzy Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyoncé Knowles's B-Day album and music-video collaboration with Shakira, ''Beautiful Liar,'' Drake reveals how concepts of hybridity - whether positioned as créolité, Candomblé, négritude, Latinidad, or Brasilidade - are appropriated in each work of art as a way of challenging the homogeneous paradigm of black cultural studies. This redefined notion of identity enables African American women to embrace a more complex, transnational blackness that is not only more liberating but also more pertinent to their experiences. Drawing from this borderless exchange of ideas and a richer concept of self, Critical Appropriations offers a rewarding reconsideration of the creative implications for African American women, mapping new directions in black women's studies.