9780806156033 - goff on goff: conversations and lectures (10 resultados)
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Librería: Books From California, Simi Valley, CA, Estados Unidos de AmericaBooks From California
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Excelente
EUR 13,91
Envío por EUR 4,35Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Fine.
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Librería: The Calico Cat Bookshop, Ventura, CA, Estados Unidos de AmericaThe Calico Cat Bookshop
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Condición: Usado - Excelente
EUR 22,01
Envío por EUR 5,23Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Fine. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975.
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 31,81
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Paperback or Softback. Condición: New. Goff on Goff: Conversations and Lectures. Book.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 36,57
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Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectu…ral wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 42,41
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectu…ral wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 43,32
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Paperback. Condición: Brand New. reprint edition. 338 pages. 8.25x5.50x1.00 inches. In Stock.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,95
Envío por EUR 43,59Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectu…ral wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 35,56
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Kartoniert / Broschiert. Condición: New.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 45,32
Envío por EUR 65,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,96
Envío por EUR 76,73Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectu…ral wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.
