Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 77,46
Cantidad disponible: 3 disponibles
Añadir al carritoHardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 77,48
Cantidad disponible: 3 disponibles
Añadir al carritoHardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 135,52
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Stanford University Press, US, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 137,87
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the "cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the "culture industry"- as defined by Adorno and Horkheimer-that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 151,34
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 147,45
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: Buchpark, Trebbin, Alemania
EUR 60,48
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Technics and Time, 3 furthers Stiegler's critique of technics, working (back) through Kant in order to examine the nature of "cinematic time" relative to phenomenology and hypertechnology.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 157,73
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Stanford University Press, US, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 147,46
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the "cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the "culture industry"- as defined by Adorno and Horkheimer-that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.
Idioma: Inglés
Publicado por Stanford University Press, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: moluna, Greven, Alemania
EUR 143,69
Cantidad disponible: Más de 20 disponibles
Añadir al carritoGebunden. Condición: New. Technics and Time, 3 furthers Stiegler s critique of technics, working (back) through Kant in order to examine the nature of cinematic time relative to phenomenology and hypertechnology.Über den AutorBernard Stiegler heads the.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 185,04
Cantidad disponible: 2 disponibles
Añadir al carritoHardcover. Condición: Brand New. 280 pages. 9.00x6.00x0.80 inches. In Stock.
Idioma: Inglés
Publicado por Stanford University Press Dez 2010, 2010
ISBN 10: 0804761671 ISBN 13: 9780804761673
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 199,36
Cantidad disponible: 2 disponibles
Añadir al carritoBuch. Condición: Neu. Neuware - In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the 'cinematic nature' of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the 'culture industry'- as defined by Adorno and Horkheimer-that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.