9780804737913 - the ambivalences of medieval religious drama (figurae: reading medieval culture) de warning, rainer (20 resultados)

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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

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Librería: The Bookseller, Edmonton, AB, CanadaThe Bookseller
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EUR 36,35
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Minor shelf wear to book and dust jacket. Otherwise a tight, unmarked book. Index. xvii, 308 pp.

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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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Librería: Edmonton Book Store, Edmonton, AB, CanadaEdmonton Book Store
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EUR 15,89
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Condición: very good. Estado de la sobrecubierta: very good. 8vo pp.306. book.

Idioma: Inglés
Editorial: Stanford University Press, Stanford, California, 2001
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Librería: George Longden, Macclesfield, Reino UnidoGeorge Longden
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Hardback. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Bound in green cloth. 230 x 150 mm. xx, 314 pp. English language edition, translated by Steven Rendall. Originally published in German in 1974. Book.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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Hardback. Condición: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century… Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond "literary" texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: New.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 107,10
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Condición: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th-… and 16th-century Passion plays. Translator(s): Rendall, Steven. Series: Figurae: Reading Medieval Culture. Num Pages: 336 pages. BIC Classification: 3JB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 571. . 2001. Hardback. . . . .

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 132,34
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Condición: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th-… and 16th-century Passion plays. Translator(s): Rendall, Steven. Series: Figurae: Reading Medieval Culture. Num Pages: 336 pages. BIC Classification: 3JB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 571. . 2001. Hardback. . . . . Books ship from the US and Ireland.

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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
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EUR 101,08
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Hardback. Condición: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century… Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond "literary" texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 133,72
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Hardcover. Condición: Brand New. 1st edition. 336 pages. 9.25x6.25x1.00 inches. In Stock.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 101,82
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Gebunden. Condición: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 138,00
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Buch. Condición: Neu. Neuware - What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-ce…ntury Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond 'literary' texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 108,88
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Hardcover. Condición: Brand New. 1st edition. 336 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.