Isbn: 9780804735827 - parages (cultural memory in the present) (25 resultados)

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Condición: New.

Paperback. Condición: New. Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays-"Living On," "Title To Be Specified," and "The Law of Genre," are by now canonical. The fourth, "Pace Not(s)" as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993).…

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Condición: New. pp. 280.

Condición: New. In English.

Condición: New. This volume brings together four of Jacques Derrida's essays on Maurice Blanchot's fictions: "Pace Not(s)," "Living on," "Title To Be Specified," and "The Law of Genre." Editor(s): Leavey, John P. Translator(s): Conley, Tom; Hulbert, James; Leavey, John P.; Ronell, Avital. Series: Cultural Memory in the Present. Num Pages: 280 pages. BIC Classification: HP; YQE. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 191 x 16. Weight in Grams: 378. . 2003. Paperback. . . . . …

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Paperback. Condición: Brand New. translation edition. 262 pages. 8.75x5.75x0.75 inches. In Stock.

Condición: New. pp. 280.

Condición: As New. Unread book in perfect condition.

Condición: New. This volume brings together four of Jacques Derrida's essays on Maurice Blanchot's fictions: "Pace Not(s)," "Living on," "Title To Be Specified," and "The Law of Genre." Editor(s): Leavey, John P. Translator(s): Conley, Tom; Hulbert, James; Leavey, John P.; Ronell, Avital. Series: Cultural Memory in the Present. Num Pages: 280 pages. BIC Classification: HP; YQE. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 191 x 16. Weight in Grams: 378. . 2003. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condición: New. Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays-"Living On," "Title To Be Specified," and "The Law of Genre," are by now canonical. The fourth, "Pace Not(s)" as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993).…

Condición: New. This volume brings together four of Jacques Derrida s essays on Maurice Blanchot s fictions: Pace Not(s), Living on, Title To Be Specified, and The Law of Genre. &Uumlber den AutorrnrnJacques Derrida (1930-2004), one of the most famo.

Taschenbuch. Condición: Neu. Parages | Jacques Derrida | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | Stanford University Press | EAN 9780804735827 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Condición: New. Cultural Memory in the Present; Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essaysâ""Living On," "Title To Be Specified," and "The Law of Genre," are by now canonical. The fourth, "Pace Not(s)" as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993).…

Paperback. Condición: Brand New. translation edition. 262 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 440.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays-'Living On,' 'Title To Be Specified,' and 'The Law of Genre,' are by now canonical. The fourth, 'Pace Not(s)' as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993). 280 pp. Englisch. …

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays-'Living On,' 'Title To Be Specified,' and 'The Law of Genre,' are by now canonical. The fourth, 'Pace Not(s)' as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993).…