9780804730662 - the practice of cultural analysis: exposing interdisciplinary interpretation (cultural memory in the present) de gonzales, bryan (25 resultados)

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 12,27
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Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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- Primera edición
Librería: Snowden's Books, Santa Fe, NM, Estados Unidos de AmericaSnowden's Books
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EUR 14,42
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Original hardcover in jacket, 392 pages, index. Book is solid and bright with minimal reading wear. There is a translucent damp stain at top outer page edges with related sliver translucent stain along top page edges. Light soiling, wear to jack…et. Mostly cosmetic wear to book, about good to good plus. r2b2.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
- Tapa dura
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 17,64
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Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: N. Fagin Books, Chicago, IL, Estados Unidos de AmericaN. Fagin Books
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EUR 18,03
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1999. Anthropological theory and method. Stanford University Press. 392p. Ex-library otherwise tight and clean cloth, no dust jacket.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Sequitur Books, Boonsboro, MD, Estados Unidos de AmericaSequitur Books
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EUR 35,97
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Hardcover. Condición: As New. [From the library of noted scholar Richard A. Macksey.] Hardcover and dust jacket. Good binding and cover. Light edge wear. Clean, unmarked pages. xix, 392 pages, ill., 23 cm. This volume presents an interdisciplinary approach to humanistic scholarship situated somewhere between cultural studies and… cultural history. "Richard A. Macksey was a celebrated Johns Hopkins University professor whose affiliation with the university spanned six and a half decades. A legendary figure not only in his own fields of critical theory, comparative literature, and film studies but across all the humanities, Macksey possessed enormous intellectual capacity and a deeply insightful human nature. He was a man who read and wrote in six languages, was instrumental in launching a new era in structuralist thought in America, maintained a personal library containing a staggering collection of books and manuscripts, inspired generations of students to follow him to the thorniest heights of the human intellect, and penned or edited dozens of volumes of scholarly works, fiction, poetry, and translation." - Johns Hopkins University.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino UnidoPhatpocket Limited
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Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: THE SAINT BOOKSTORE, Southport, , Reino UnidoTHE SAINT BOOKSTORE
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Idioma: Inglés
Editorial: Stanford University Press, US 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 192,99
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Hardback. Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in the…present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 190,62
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Condición: New.

Idioma: Inglés
Editorial: Stanford University Press, US 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
- Tapa dura
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 193,75
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Hardback. Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in the…present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condición: new.

Idioma: Inglés
Editorial: MK - Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Condición: New.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Majestic Books, Hounslow, , Reino UnidoMajestic Books
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Condición: New. pp. 416.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Condición: New. pp. 416 1st Edition.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being aiming to be more specific than either. Editor(s): Bal, Mieke. Series: Cultural Memory in the Present. Num Pages: 416 pages, 47 half-tones. BIC… Classification: DSA; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 30. Weight in Grams: 702. . 1999. 1st Edition. Hardcover. . . . .

Idioma: Inglés
Editorial: Stanford University Press, US 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Hardback. Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in the…present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

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Editorial: STANFORD UNIV PR 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: moluna, Greven, , Alemaniamoluna
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Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship situated somewhere between cultural studies and cultural history. Cultural analysis as a critical practice is based on a keen awareness of the critic s situatedness in the present.

Idioma: Inglés
Editorial: Stanford University Press, US 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in the…present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

Idioma: Inglés
Editorial: Stanford University Press 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being aiming to be more specific than either. Editor(s): Bal, Mieke. Series: Cultural Memory in the Present. Num Pages: 416 pages, 47 half-tones. BIC… Classification: DSA; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 30. Weight in Grams: 702. . 1999. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Idioma: Inglés
Editorial: Stanford Univ Pr 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 1st edition. 392 pages. 9.50x6.25x1.25 inches. In Stock.

Idioma: Inglés
Editorial: Stanford University Press Mai 1999 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 279,31
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Buch. Condición: Neu. Neuware - This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness i…n the present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase 'cultural memory in the present.' Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, 'Don't Look Now: Visual Memory in the Present,' explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, 'Close-ups and Mirrors: The Return of Close Reading, with a Difference,' demonstrates and advocates 'listening' to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, 'Method Matters: Reflections on the Identity of Cultural Analysis,' do not propose any 'directions for use' or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

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Editorial: Stanford Univ Pr 1999
Serie: Cultural Memory in the Present, Libro 9 de 213. Libro 9 de 213 - Cultural Memory in the Present
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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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EUR 216,62
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Hardcover. Condición: Brand New. 1st edition. 392 pages. 9.50x6.25x1.25 inches. In Stock. This item is printed on demand.