9780802084217 - cosmopoiesis: the renaissance experiment (toronto italian studies) de mazzotta, giuseppe (22 resultados)

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- Primera edición
Librería: Works on Paper, DeKalb, IL, Estados Unidos de AmericaWorks on Paper
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EUR 18,62
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Soft cover. Condición: Very Good. 1st Edition. A very good copy of the softcover edition. The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with no creasing to the spine. A sharp copy.

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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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EUR 28,06
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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 32,44
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Condición: new.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 36,19
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Condición: New.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 40,46
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Paperback. Condición: New. Cosmopoiesis means world-making, and in this erudite, polemical book, Professor Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre. The Renaissance is usually read from a Cartesian or Hegelian (via Burckhardt) perspective.… It is viewed as a time of individualities or it is studied in terms of disembodied ideas and abstract forms. Mazzotta calls for a new approach: the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences. His is an encyclopedic grasp that takes into consideration literature, philosophy, politics, history, and theology. The book's theoretical premise lies in the thought of the eighteenth-century Italian philosopher, Giambattista Vico. Vico's own reading of the Renaissance, available in his New Science, is obliquely, yet clearly reproposed as the alternate interpretive key for opening up the deeper imaginative concerns of this extraordinary period of Western history. By a series of rigorous textual analyses that range from Poliziano to Ariosto, from Machiavelli to Bacon, to Shakespeare and Cervantes, "Cosmopoiesi"s highlights the ongoing dialogue between literature and philosophy (or literature and science, or, in Vichian terms, philology and philosophy) in some of the central texts of the time. In this dialogue across time and the barriers of space, the esthetic world - the world of the pastoral, romances, epics, utopian fictions, the theatre, and the lyric - far from signalling an evasion from history, is steadily and vitally engaged with the most pressing exigencies of the time. Consistently, the analyses conducted in "Cosmopoiesis" come to grips with these exigencies: the power of science, the relationship between politics and science, and the emergence of a new ethics in the midst of the secretive techniques by new elites in their exercise of political power. Above all, these central texts argue for a necessary reconstitution of the unity of knowledge, for the "encyclopedic" compass of the arts and sciences. The retrieval of this unity is made possible by reclaiming a role for the esthetic or contemplative mode of thought which underlies and shapes the most creative achievements in the world of making.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 38,64
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Condición: As New. Unread book in perfect condition.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 36,78
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 35,33
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Condición: New. pp. 111.

Idioma: Inglés
Editorial: University of Toronto Press, Scholarly Publishing Division, 2001
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 34,78
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Condición: New. Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences. Series: Toronto Italian Studies. Num Pages: 111 pages. BIC Classif…ication: 3H; 3JB; HPCB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 140 x 9. Weight in Grams: 175. . 2001. 1st Edition. Paperback. . . . .

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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 43,46
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Condición: New. pp. 111.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 35,82
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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 37,13
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Condición: New. In English.

Idioma: Inglés
Editorial: University of Toronto Press, Scholarly Publishing Division, 2001
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 42,56
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Condición: New. Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences. Series: Toronto Italian Studies. Num Pages: 111 pages. BIC Classif…ication: 3H; 3JB; HPCB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 140 x 9. Weight in Grams: 175. . 2001. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 35,07
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Condición: As New. Unread book in perfect condition.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 35,81
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Condición: New.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 57,02
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Paperback. Condición: Brand New. 1st edition. 111 pages. 8.25x5.50x0.25 inches. In Stock.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 59,39
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Paperback. Condición: Brand New. 1st edition. 111 pages. 8.25x5.50x0.25 inches. In Stock.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 50,32
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Condición: New. Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences.&U.

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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
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EUR 102,20
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.

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Librería: Mooney's bookstore, Den Helder, HolandaMooney's bookstore
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EUR 97,25
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Condición: Very Good.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 38,42
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Paperback. Condición: New. Cosmopoiesis means world-making, and in this erudite, polemical book, Professor Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre. The Renaissance is usually read from a Cartesian or Hegelian (via Burckhardt) perspective.… It is viewed as a time of individualities or it is studied in terms of disembodied ideas and abstract forms. Mazzotta calls for a new approach: the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences. His is an encyclopedic grasp that takes into consideration literature, philosophy, politics, history, and theology. The book's theoretical premise lies in the thought of the eighteenth-century Italian philosopher, Giambattista Vico. Vico's own reading of the Renaissance, available in his New Science, is obliquely, yet clearly reproposed as the alternate interpretive key for opening up the deeper imaginative concerns of this extraordinary period of Western history. By a series of rigorous textual analyses that range from Poliziano to Ariosto, from Machiavelli to Bacon, to Shakespeare and Cervantes, "Cosmopoiesi"s highlights the ongoing dialogue between literature and philosophy (or literature and science, or, in Vichian terms, philology and philosophy) in some of the central texts of the time. In this dialogue across time and the barriers of space, the esthetic world - the world of the pastoral, romances, epics, utopian fictions, the theatre, and the lyric - far from signalling an evasion from history, is steadily and vitally engaged with the most pressing exigencies of the time. Consistently, the analyses conducted in "Cosmopoiesis" come to grips with these exigencies: the power of science, the relationship between politics and science, and the emergence of a new ethics in the midst of the secretive techniques by new elites in their exercise of political power. Above all, these central texts argue for a necessary reconstitution of the unity of knowledge, for the "encyclopedic" compass of the arts and sciences. The retrieval of this unity is made possible by reclaiming a role for the esthetic or contemplative mode of thought which underlies and shapes the most creative achievements in the world of making.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 65,78
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Taschenbuch. Condición: Neu. Neuware - Cosmopoiesis means world-making, and in this erudite, polemical book, Professor Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre. The Renaissance is usually read from a Cartesian or Hegelian (via Burckhardt)…perspective. It is viewed as a time of individualities or it is studied in terms of disembodied ideas and abstract forms. Mazzotta calls for a new approach: the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences. His is an encyclopedic grasp that takes into consideration literature, philosophy, politics, history, and theology. The book's theoretical premise lies in the thought of the eighteenth-century Italian philosopher, Giambattista Vico. Vico's own reading of the Renaissance, available in his New Science, is obliquely, yet clearly reproposed as the alternate interpretive key for opening up the deeper imaginative concerns of this extraordinary period of Western history. By a series of rigorous textual analyses that range from Poliziano to Ariosto, from Machiavelli to Bacon, to Shakespeare and Cervantes, 'Cosmopoiesi's highlights the ongoing dialogue between literature and philosophy (or literature and science, or, in Vichian terms, philology and philosophy) in some of the central texts of the time. In this dialogue across time and the barriers of space, the esthetic world - the world of the pastoral, romances, epics, utopian fictions, the theatre, and the lyric - far from signalling an evasion from history, is steadily and vitally engaged with the most pressing exigencies of the time. Consistently, the analyses conducted in 'Cosmopoiesis' come to grips with these exigencies: the power of science, the relationship between politics and science, and the emergence of a new ethics in the midst of the secretive techniques by new elites in their exercise of political power. Above all, these central texts argue for a necessary reconstitution of the unity of knowledge, for the 'encyclopedic' compass of the arts and sciences. The retrieval of this unity is made possible by reclaiming a role for the esthetic or contemplative mode of thought which underlies and shapes the most creative achievements in the world of making.