ISBN: 9780802083258 - the apocalypse and the shape of things to come (23 resultados)

paperback. Condición: Very Good. Unmarked and clean interior. 2 chips on back cover. Top right edge of front cover has a partial sticker and sticker residue. Lh.

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Broschiert. Condición: Gut. 28x22cm; 352; Broschiert. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe bis leichte Gebrauchsspuren, weil Buchrücken etwas lesespurig ist; Unterer Schnitt hat ein Fleckchen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Condición: New. 1999. Illustrated. paperback. . . . . .

Condición: New. In English.

broschiert. Condición: Sehr gut. 352 Seiten sehr guter Zustand, leichte Lagerspuren am Einband, Bleistiftnotiz auf Vortitel Sprache: Englisch Gewicht in Gramm: 1570.

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Condición: New. 1999. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 1st edition. 362 pages. 10.75x8.75x1.00 inches. In Stock.

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Kartoniert / Broschiert. Condición: New. &Uumlber den AutorBy Frances CareyKlappentextThis superbly illustrated book examines the depiction of the Apocalypse in the visual arts over nearly 1,000 years, from the great medieval manuscript cycles to th.

Taschenbuch. Condición: Neu. Neuware - The end of the second millenium is an appropriate moment to evaluate the legacy of one of the most vivid and controversial writings in the Christian canon, the Book of Revelation. The idea of an apocalypse that was both destructive and redemptive provided a rich vein of visual and literary imagery that remains a force in contemporary culture. This book examines the tradition as represented by illuminated manuscripts, books, prints, and drawings from the eleventh century up to the end of the Second World War, concentrating on particular episodes or apocalyptic phases, which have often occurred at the end of centuries and have always been rooted in historical and political circumstances. The defining moment in the development of the pictorial tradition was Dürer's great Apocalypse cycle, published in 1498. Apocalyptic imagery was quickly appropriated as a vehicle for propaganda and satire, becoming secularised at the hands of artists such as the late eighteenth-century satirist James Gillray. Gillray's contemporary William Blake evolved a concept of Apocalypse and Judgement that responded to the millenarian currents and revolutionary upheavals of his time. In our own century, apocalyptic metaphor has been a powerful vehicle for many writers, artists, and film directors to convey their visions of worldly and spiritual destruction and regeneration.…

Couverture souple. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. The Apocalypse and the Shape of things to come edited by Frances Carey.Toronto 1999 Toronto University Press Pages 352 with 95 colour and 200 black & white illustrations Quarto paper Euro 92,00.-xx.