Isbn: 9780792360698 - number to sound: the musical way to the scientific revolution: 64 (the western ontario series in philosophy of science, 64) (17 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Hardbound w/ VG DJ ; clean and unmarked and binding tight and square ; ; THE WESTERN ONTARIO SERIES IN PHILOSOPHY OF SCIENCE Volume 64; 8vo; 322 pages.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. The boards of this hardcover publication are covered with brick red cloth and have white lettering on the spine. Some of the names in the table of contents have been underlined in ink, and there are four pages in the chapter "Galileo Galilei" by H. Floris Cohen which have ink underlining, otherwiise the the text is free of writing, underlining or highlighting and the pages bright. The dust jacket is also clean and bright, but has the impression of a name and page number on the front panel. The dust jacket is currently protected by a clear removable cover. All illustrations noted are present. The book is 6 1/2 inches by 9 3/4 inches and has 322 pages.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. The dust jacket has a little wear. The page edges are lightly foxed. 322 pages Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Condición: New. In English.

Condición: New.

Gebunden. Condición: New.

Hardback. Condición: New. 2000 ed. Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro­ th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran­ cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema­ ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com­ bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan­ guage of sounds.…

Condición: New. pp. 340.

Condición: New. Deals with the origin of the modern conception of the object as well as the subject of music. Starting from the magic of numbers of Pythagorean and neo-Platonic doctrines, this volume leads the readers to 'sound' and 'affections' in modern terms. Editor(s): Gozza, Paolo. Series: The Western Ontario Series in Philosophy of Science. Num Pages: 322 pages, biography. BIC Classification: AVA; PDX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 20. Weight in Grams: 638. . 1999. Hardback. . . . .…

Condición: New. Deals with the origin of the modern conception of the object as well as the subject of music. Starting from the magic of numbers of Pythagorean and neo-Platonic doctrines, this volume leads the readers to 'sound' and 'affections' in modern terms. Editor(s): Gozza, Paolo. Series: The Western Ontario Series in Philosophy of Science. Num Pages: 322 pages, biography. BIC Classification: AVA; PDX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 20. Weight in Grams: 638. . 1999. Hardback. . . . . Books ship from the US and Ireland.…

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.…

Hardback. Condición: New. 2000 ed. Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro­ th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran­ cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema­ ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com­ bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan­ guage of sounds.…

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds. 340 pp. Englisch.…

Buch. Condición: Neu. Number to Sound | The Musical Way to the Scientific Revolution | P. Gozza | Buch | The Western Ontario Series in Philosophy of Science | xiii | Englisch | 1999 | Springer | EAN 9780792360698 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.…

Condición: New. Print on Demand pp. 340 Illus.

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 340 pp. Englisch.…

Condición: New. PRINT ON DEMAND pp. 340.