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Añadir al carritoHardcover. Condición: Very Good. Dances with Darwin, 1875â"1910: Vernacular Modernity in France This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Añadir al carritoHardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
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Publicado por Ashgate Publishing Company, 2009
ISBN 10: 0754652432 ISBN 13: 9780754652434
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Añadir al carritoCondición: New. pp. xiv + 311 45 Illus.
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Publicado por Ashgate Publishing Company, 2009
ISBN 10: 0754652432 ISBN 13: 9780754652434
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Publicado por Ashgate Publishing Company, 2009
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Original o primera edición
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Añadir al carritoCondición: New. Examining the extraordinary influence of Darwin's theory of evolution on French thought from 1875 to 1910, the author argues for a reconsideration of modernism both in time and in place that situates its beginnings in the French cafe-concert aesthetic. Num Pages: 330 pages, Includes 45 b&w illustrations. BIC Classification: 1DDF; 3JH; 3JJC; HBJD; HBLL. Category: (P) Professional & Vocational. Dimension: 243 x 166 x 28. Weight in Grams: 770. . 2009. 1st Edition. hardcover. . . . .
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Añadir al carritoHardcover. Condición: Brand New. 320 pages. 9.61x7.09x1.10 inches. In Stock.
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Añadir al carritoCondición: New. Examining the extraordinary influence of Darwin's theory of evolution on French thought from 1875 to 1910, the author argues for a reconsideration of modernism both in time and in place that situates its beginnings in the French cafe-concert aesthetic. Num Pages: 330 pages, Includes 45 b&w illustrations. BIC Classification: 1DDF; 3JH; 3JJC; HBJD; HBLL. Category: (P) Professional & Vocational. Dimension: 243 x 166 x 28. Weight in Grams: 770. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Rae Beth Gordon is Professor emerita of French Literature and Cultural Studies, University of Connecticut, Storrs. Author of numerous essays on 19th-century medicine, literature, and aesthetics, she has written Ornament, Fantasy, and Desire in Nineteenth-Ce.
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Examining the extraordinary influence of Darwin's theory of evolution on French thought from 1875 to 1910, Rae Beth Gordon argues for a reconsideration of modernism both in time and in place that situates its beginnings in the French café-concert aesthetic. Gordon weaves the history of medical science, ethnology, and popular culture into a groundbreaking exploration of the cultural implications of gesture in dance performances at late-nineteenth-century Parisian café-concerts and music halls. While art historians have studied the ties between primitivism and modernism, their convergence in fin-de-siècle popular entertainment has been largely overlooked. Gordon argues that while the impact of Darwinism was unprecedented in science, it was no less present in popular culture through the popular press and popular entertainment, where it constituted a kind of 'evolutionist aesthetic' on display in the café-concert, circus, and music-hall as well as in the spectator's reception of the representations on the stage. Modernity in these sites, Gordon contends, was composed by the convergence of contemporary medical theory with representations of the primitive, staged in entertainments that ranged from the can-can, Missing Links, and epileptic singers to the Cake-Walk. Her anthropology of gesture uncovers in these dislocations of the human form an aesthetic of disorder a half century before the eruptions of Dada and Surrealism.