9780754605676 - The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries de Nuti, Giulia (17 resultados)

Hardcover (Original Cloth). Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Brown cloth with dust wrapper. Music scores in text. Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played. Size: 6.1 x 0.4 x 9.2 Inches. 164 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Music; History & Criticism; Musical styles & genres; ISBN: 0754605671. ISBN/EAN: 9780754605676. Library of Congress No: 2006021141. Dewey Code: 781.47. Inventory No: 90137. For further information on this title or for further photographs, please click on the "Ask Seller a Question" button directly underneath this listing. We aim to reply within three working days. Buyers from OUTSIDE of the UK are strongly recommended to make contact, to ask for an accurate shipping cost, BEFORE buying.

Condición: New.

Hardcover. Condición: New.

Condición: New.

Condición: New. In.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Concentrating on the performance of basso continuo in Italian music of the seventeenth and eighteenth centuries, this book offers an account of the importance of basso continuo teaching, practice and performance, and provides ideas for the interpretation and performance of music of this period in modern times. Num Pages: 164 pages, Includes 20 b&w illustrations and 75 music examples. BIC Classification: AVA; AVGC3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 241 x 160 x 18. Weight in Grams: 468. . 2007. 1st Edition. hardcover. . . . .

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Like New. Like New. book.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. illustrated edition. 148 pages. 9.25x6.50x0.75 inches. In Stock.

Condición: New. Concentrating on the performance of basso continuo in Italian music of the seventeenth and eighteenth centuries, this book offers an account of the importance of basso continuo teaching, practice and performance, and provides ideas for the interpretation and performance of music of this period in modern times. Num Pages: 164 pages, Includes 20 b&w illustrations and 75 music examples. BIC Classification: AVA; AVGC3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 241 x 160 x 18. Weight in Grams: 468. . 2007. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 15.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.