Isbn: 9780748694105 - virginia woolf's essayism (23 resultados)

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Paperback. Condición: New. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukács, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: new. Paperback. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukcs, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel Explores the way Woolf used essay-writing techniques to develop her own conception of the modern novel. This book forcuses on Woolf's vast output of essays and their relation to her fiction. Saloman shows that it was by employing tools and methods drawn from the essay genre that Woolf managed to leave behind the realism of the 19th-century novel. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: New. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukács, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel.…

Condición: New. pp. 192.

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unknown_binding. Condición: New.

Condición: New. pp. 192.

Condición: New. Explores the way Virginia Woolf used essay-writing techniques to develop her conception of the modern novel. This book includes revisionary accounts of A Room of One's Own (1929) and Three Guineas (1938), and new readings of Woolf's major and less well-known novels, including The Pargiters, her failed 'essay-novel'. Num Pages: 192 pages. BIC Classification: 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 11. Weight in Grams: 304. . 2014. 1st Edition. Paperback. . . . .…

Condición: New. pp. 192.

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Condición: New. Explores the way Virginia Woolf used essay-writing techniques to develop her conception of the modern novel. This book includes revisionary accounts of A Room of One's Own (1929) and Three Guineas (1938), and new readings of Woolf's major and less well-known novels, including The Pargiters, her failed 'essay-novel'. Num Pages: 192 pages. BIC Classification: 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 11. Weight in Grams: 304. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

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Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 1st edition. 192 pages. 9.25x6.25x0.50 inches. In Stock.

Paperback. Condición: New. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukács, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel.…

Condición: New. Explores the way Virginia Woolf used essay-writing techniques to develop her conception of the modern novel. This book includes revisionary accounts of A Room of One s Own (1929) and Three Guineas (1938), and new readings of Woolf s major and less well-know.

Paperback. Condición: new. Paperback. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukacs, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel Explores the way Woolf used essay-writing techniques to develop her own conception of the modern novel. This book forcuses on Woolf's vast output of essays and their relation to her fiction. Saloman shows that it was by employing tools and methods drawn from the essay genre that Woolf managed to leave behind the realism of the 19th-century novel. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. The focus of this study is on Virginia Woolf's vast output of essays and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre - such as fragmentation, stream-of-consciousness and dialogic engagement with the reader - that Woolf managed to leave behind the realism of the 19th-century novel. Saloman draws on key theorists of the essay such as T. W. Adorno and Georg Lukács, as well as on more recent scholars of 'essayism' (a term devised by Robert Musil to describe the hypothetical quality of the essay mode). She shows that the essay, as genre and mode, shaped Woolf's writing, and modern fiction more generally, in ways that have not yet been articulated. Key Features:In-depth consideration of Virginia Woolf's shorter essaysRevisionary accounts of /A Room of One's Own/ (1929) and /Three Guineas/ (1938)New readings of Woolf's major and less well-known novels, including /The Pargiters/, her failed 'essay-novel'Repositions the essay as a major modernist genre, responsible in large part for the creation of the modern (and especially the 'modernist') novel.…