Isbn: 9780719086922 - intersections: writings on cinema (cinema aesthetics) (20 resultados)

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780719086922.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780719086922.…

Hardback. Condición: New. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. Dispatched promptly from the UK.

Hardback. Condición: New. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.…

Condición: New. In English.

Condición: New. A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known - Hitchcock, Truffaut, Visconti, Welles - to those that he feels need more attention - Painleve, Vigo and Franju. Series Editor(s): O'Rawe, Des. Series: Cinema Aesthetics. Num Pages: 160 pages, Illustrations, black & white. BIC Classification: APFA; APFB. Category: (UF) Further/Higher Education. Dimension: 222 x 142 x 18. Weight in Grams: 336. . 2012. Illustrated. hardcover. . . . .…

Hardcover. Condición: new. Hardcover. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painleve, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary. -- . A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known Hitchcock, Truffaut, Visconti, Welles to those that he feels need more attention Painleve, Vigo and Franju. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known - Hitchcock, Truffaut, Visconti, Welles - to those that he feels need more attention - Painleve, Vigo and Franju. Series Editor(s): O'Rawe, Des. Series: Cinema Aesthetics. Num Pages: 160 pages, Illustrations, black & white. BIC Classification: APFA; APFB. Category: (UF) Further/Higher Education. Dimension: 222 x 142 x 18. Weight in Grams: 336. . 2012. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Brand New. 1st edition. 144 pages. 9.00x6.00x0.75 inches. In Stock.

Hardback. Condición: New. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.…

Hardback. Condición: New. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.…

Condición: New. Print on Demand pp. 144.

Condición: New. Print on Demand pp. 144 Index.

Condición: New. PRINT ON DEMAND pp. 144.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known - Hitchcock, Truffaut, Visco.…

Buch. Condición: Neu. Intersections | Writings on cinema | Sam Rohdie | Buch | Gebunden | Englisch | 2012 | Manchester University Press | EAN 9780719086922 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.