9780719063510 - Michael Reeves (British Film-Makers) de Halligan, Benjamin (28 resultados)

Condición: New. pp. 266 21:B&W 5.06 x 7.81 in or 198 x 129 mm Perfect Bound on White w/Gloss Lam.

Condición: New. pp. 266.

Condición: New. pp. 266.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

Paperback. Condición: New. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

Condición: As New. Unread book in perfect condition.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors and even Vincent Price to create a unique vision of savage poetry and lacerating despair: "Witchfinder General". He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves' films in the context of the times, citing "The Sorcerers" and "Witchfinder General" as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves' earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on the "Revenge of the Blood Beast".Drawing on recollections from colleagues, friends and family - many speaking here for the first time - draft scripts, correspondence and original documentation pertaining to the controversial censorship of "Witchfinder", and Reeves' struggle with his own, private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter. Cine-literate and single-minded, Michael Reeves took onexploitative film production companies, the British censors, and even VincentPrice to create a unique vision of savage poetry and lacerating despair:Witchfinder General. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New. In "Witchfinder General", Michael Reeves took on exploitative film production companies, the British censors and even Vincent Price to create a unique vision of savage poetry and lacerating despair. This critical biography claims Reeves as the great, lost auteur of British cinema. Series Editor(s): McFarlane, Brian; Sinyard, Neil. Series: British Film-Makers. Num Pages: 264 pages, 1, black & white illustrations. BIC Classification: APFB; BGF. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 131 x 197 x 14. Weight in Grams: 284. . 2003. Paperback. . . . .

Condición: New. In "Witchfinder General", Michael Reeves took on exploitative film production companies, the British censors and even Vincent Price to create a unique vision of savage poetry and lacerating despair. This critical biography claims Reeves as the great, lost auteur of British cinema. Series Editor(s): McFarlane, Brian; Sinyard, Neil. Series: British Film-Makers. Num Pages: 264 pages, 1, black & white illustrations. BIC Classification: APFB; BGF. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 131 x 197 x 14. Weight in Grams: 284. . 2003. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 248 pages. 7.75x5.00x0.75 inches. In Stock.

Paperback. Condición: New. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

Paperback. Condición: new. Paperback. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors and even Vincent Price to create a unique vision of savage poetry and lacerating despair: "Witchfinder General". He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves' films in the context of the times, citing "The Sorcerers" and "Witchfinder General" as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves' earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on the "Revenge of the Blood Beast".Drawing on recollections from colleagues, friends and family - many speaking here for the first time - draft scripts, correspondence and original documentation pertaining to the controversial censorship of "Witchfinder", and Reeves' struggle with his own, private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter. Cine-literate and single-minded, Michael Reeves took onexploitative film production companies, the British censors, and even VincentPrice to create a unique vision of savage poetry and lacerating despair:Witchfinder General. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: Usado.

Paperback. Condición: New. Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Cine-literate and single-minded, Michael Reeves took onexploitative film production companies, the British censors, and even VincentPrice to create a unique vision of savage poetry and lacerating despair:Witchfinder General. -- .&Uumlber den Autor.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.

Taschenbuch. Condición: Neu. Michael Reeves | Benjamin Halligan | Taschenbuch | Kartoniert / Broschiert | Englisch | 2012 | Manchester University Press | EAN 9780719063510 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.