ISBN: 9780691148601 - articulations: undefining chinese contemporary art: 5 (publications of the tang center for east asian art, princeton university) (29 resultados)

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  • Idioma: Inglés

    Editorial: Princeton University Press, 2010

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    paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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    Editorial: Princeton University Press, 2010

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    Editorial: Princeton University Press 2010-11-21, 2010

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    Paperback. Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …

  • Idioma: Inglés

    Editorial: Princeton University Press 2010-11-21, 2010

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    Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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    Paperback. Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …

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  • Idioma: Inglés

    Editorial: Princeton University Press, 2010

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    Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just how complex and uncertain the labels 'contemporary', 'Chinese', and 'American' have become. Editor(s): Silbergeld, Jerome; Ching, Dora C. Y. Series: Publications of the Department of Art & Archaeology, Princeton University. Num Pages: 320 pages, 10 color illus. 172 halftones. BIC Classification: 1FPC; 1KBB; 3JM; ABA; ACBP; ACXJ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 241 x 167 x 21. Weight in Grams: 728. . 2010. Paperback. . . . .…

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    Paperback. Condición: Brand New. 248 pages. 9.75x6.75x0.75 inches. In Stock.

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    Condición: New. In English.

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  • Idioma: Inglés

    Editorial: Princeton University Press, 2010

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    Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just how complex and uncertain the labels 'contemporary', 'Chinese', and 'American' have become. Editor(s): Silbergeld, Jerome; Ching, Dora C. Y. Series: Publications of the Department of Art & Archaeology, Princeton University. Num Pages: 320 pages, 10 color illus. 172 halftones. BIC Classification: 1FPC; 1KBB; 3JM; ABA; ACBP; ACXJ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 241 x 167 x 21. Weight in Grams: 728. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

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  • Idioma: Inglés

    Editorial: Princeton University Press Nov 2010, 2010

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    Taschenbuch. Condición: Neu. Neuware - What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels 'contemporary,' 'Chinese,' and 'American' have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ¿ American ¿ Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues. The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as 'Chinese,' 'American,' or 'Chinese American.' Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art.…

  • Idioma: Inglés

    Editorial: Princeton University Press, 2010

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    Condición: As New. Unread book in perfect condition.

  • Idioma: Inglés

    Editorial: PRINCETON UNIV PR, 2010

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    Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just ho.

  • Idioma: Inglés

    Editorial: Princeton University Press, US, 2010

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    Paperback. Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …

  • Idioma: Inglés

    Editorial: Princeton University Press, 2010

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    Taschenbuch. Condición: Neu. ARTiculations | Undefining Chinese Contemporary Art | Jerome Silbergeld (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | Princeton University Press | EAN 9780691148601 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

  • Idioma: Inglés

    Editorial: Princeton University Press, US, 2010

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    Paperback. Condición: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …