Isbn: 9780691050027 - the literary channel: the inter-national invention of the novel: 3 (translation/transnation) (18 resultados)

Idioma: Inglés
Editorial: Princeton University Press (edition ), 2002
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Paperback. Condición: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Idioma: Inglés
Editorial: Princeton University Press, 2002
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paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

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Editorial: Princeton University Press, 2002
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Paperback. Condición: Very Good. Very good softcover copy. Appears to be inscribed by one of the editors at the front; otherwise NO markings. Pasadena's finest new and used bookstore since 1992.

Idioma: Inglés
Editorial: Princeton University Press, 2002
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paperback. Condición: New. Brand New Book.

Idioma: Inglés
Editorial: Princeton University Press, 2002
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Idioma: Inglés
Editorial: Princeton University Press, US, 2002
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Paperback. Condición: New. The Literary Channel defines a crucial transnational literary "zone" that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. In the Channel zone, the novel developed through interactions among texts, readers, writers, and translators that inextricably linked national literary cultures. It served as a forum to promote and critique nationalist cliches, whether from the standpoint of Enlightenment cosmopolitanism, the insurgent nationalism of colonized spaces, or the non-nationalized culture of consumption. In the process, the Channel zone promoted codes that became the genre's hallmarks, including the sentimental poetics that would shape fiction through the nineteenth century.Uniting leading critics who bridge literary history and theory, The Literary Channel will appeal to all readers attentive to the future of literary studies, as well as those interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange. Contributors include April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn Dever, Lynn Festa, Francoise Lionnet, Deidre Shauna Lynch, Sharon Marcus, Richard Maxwell, and Mary Helen McMurran.…

Idioma: Inglés
Editorial: PRINCETON UNIVERSITY PRESS, LAWRENCEVILLE, NJ, 2002
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Librería: Pórtico [Portico], ZARAGOZA, Z, EspañaPórtico [Portico]
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Tapa blanda. Condición: New. COHEN, M. / C. DEVER, EDS.: THE LITERARY CHANNEL. THE INTER-NATIONAL INVENTION OF THE NOVEL. LAWRENCEVILLE, NJ, 2002, viii 319 p. figuras, 480 gr. Encuadernacion original. Nuevo. (NB-3-3) 480 gr. Libro.

Idioma: Inglés
Editorial: Princeton University Press, 2002
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: Princeton University Press, 2002
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Idioma: Inglés
Editorial: Princeton University Press, 2002
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Idioma: Inglés
Editorial: Princeton UP, 2001
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Editorial: Princeton Univ Pr, 2002
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Paperback. Condición: Brand New. 319 pages. 9.25x6.25x1.25 inches. In Stock.

Idioma: Inglés
Editorial: Princeton University Press, US, 2002
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Paperback. Condición: New. The Literary Channel defines a crucial transnational literary "zone" that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. In the Channel zone, the novel developed through interactions among texts, readers, writers, and translators that inextricably linked national literary cultures. It served as a forum to promote and critique nationalist cliches, whether from the standpoint of Enlightenment cosmopolitanism, the insurgent nationalism of colonized spaces, or the non-nationalized culture of consumption. In the process, the Channel zone promoted codes that became the genre's hallmarks, including the sentimental poetics that would shape fiction through the nineteenth century.Uniting leading critics who bridge literary history and theory, The Literary Channel will appeal to all readers attentive to the future of literary studies, as well as those interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange. Contributors include April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn Dever, Lynn Festa, Francoise Lionnet, Deidre Shauna Lynch, Sharon Marcus, Richard Maxwell, and Mary Helen McMurran.…

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Editorial: Princeton University Press, 2002
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Defines a transnational literary zone that shaped the development of the modern novel. This book rethinks the genre s evolution as marking the power and limits of modern cultural nationalism. It is suitable for readers interested in the novel s developmen.…

Idioma: Inglés
Editorial: Princeton University Press, 2002
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Literary Channel defines a crucial transnational literary 'zone' that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. In the Channel zone, the novel developed through interactions among texts, readers, writers, and translators that inextricably linked national literary cultures. It served as a forum to promote and critique nationalist clichés, whether from the standpoint of Enlightenment cosmopolitanism, the insurgent nationalism of colonized spaces, or the non-nationalized culture of consumption. In the process, the Channel zone promoted codes that became the genre's hallmarks, including the sentimental poetics that would shape fiction through the nineteenth century. Uniting leading critics who bridge literary history and theory, The Literary Channel will appeal to all readers attentive to the future of literary studies, as well as those interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange. Contributors include April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn Dever, Lynn Festa, Françoise Lionnet, Deidre Shauna Lynch, Sharon Marcus, Richard Maxwell, and Mary Helen McMurran.…

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Editorial: Princeton University Press, New Jersey, 2002
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Paperback. Condición: new. Paperback. The Literary Channel defines a crucial transnational literary "zone" that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. In the Channel zone, the novel developed through interactions among texts, readers, writers, and translators that inextricably linked national literary cultures. It served as a forum to promote and critique nationalist cliches, whether from the standpoint of Enlightenment cosmopolitanism, the insurgent nationalism of colonized spaces, or the non-nationalized culture of consumption. In the process, the Channel zone promoted codes that became the genre's hallmarks, including the sentimental poetics that would shape fiction through the nineteenth century.Uniting leading critics who bridge literary history and theory, The Literary Channel will appeal to all readers attentive to the future of literary studies, as well as those interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange.Contributors include April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn Dever, Lynn Festa, Francoise Lionnet, Deidre Shauna Lynch, Sharon Marcus, Richard Maxwell, and Mary Helen McMurran. Defines a transnational literary "zone" that shaped the development of the modern novel. This book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. It is suitable for readers interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Idioma: Inglés
Editorial: Princeton University Press, 2002
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Taschenbuch. Condición: Neu. The Literary Channel | The Inter-National Invention of the Novel | Margaret Cohen (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2002 | Princeton University Press | EAN 9780691050027 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…