Isbn: 9780674988460 - the joy of playing, the joy of thinking: conversations about art and performance (32 resultados)

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Hardback. Condición: Good. The Joy of Playing, the Joy of Thinking brings together two sensitive minds in an exhilarating conversation on the arts. Charles Rosen, concert pianist and pioneering musicologist, and writer Catherine Temerson range widelyfrom musical aesthetics to tales of the great composers, the development of modernism, and the need to play.…

Condición: good. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.…

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Hardcover. Condición: new. Hardcover. Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as "new musicology."The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. "Music is a way of instructing the soul, making it more sensitive," he says, "but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind." The Joy of Playing, the Joy of Thinking brings together two sensitive minds in an exhilarating conversation on the arts. Charles Rosen, concert pianist and pioneering musicologist, and writer Catherine Temerson range widelyfrom musical aesthetics to tales of the great composers, the development of modernism, and the need to play. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as "new musicology."The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. "Music is a way of instructing the soul, making it more sensitive," he says, "but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.".…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as "new musicology."The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. "Music is a way of instructing the soul, making it more sensitive," he says, "but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.".…

Condición: new.

Hardcover. Condición: Brand New. translation edition. 138 pages. 7.25x4.50x0.75 inches. In Stock.

Condición: New. 2020. Translation. Hardcover. . . . . .

Condición: New.

Condición: New. In English.

hardcover. Condición: New.

Condición: New. 2020. Translation. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

hardcover. Condición: Sehr gut. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards. Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as 'new musicology.' The Joy of Playing, the Joy of Thinking presents a masterclass for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories on composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it Does music exist if it isn't played Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. 'Music is a way of instructing the soul, making it more sensitive,' he says, 'but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.'.…

Buch. Condición: Neu. Neuware - Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as 'new musicology.'The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it Does music exist if it isn't played Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. 'Music is a way of instructing the soul, making it more sensitive,' he says, 'but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.'.…

Hardcover. Condición: new. Hardcover. Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as "new musicology."The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. "Music is a way of instructing the soul, making it more sensitive," he says, "but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind." The Joy of Playing, the Joy of Thinking brings together two sensitive minds in an exhilarating conversation on the arts. Charles Rosen, concert pianist and pioneering musicologist, and writer Catherine Temerson range widelyfrom musical aesthetics to tales of the great composers, the development of modernism, and the need to play. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: NEW.

Hardback. Condición: New. Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as "new musicology."The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music-not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. "Music is a way of instructing the soul, making it more sensitive," he says, "but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.".…

Condición: New. The Joy of Playing, the Joy of Thinking brings together two sensitive minds in an exhilarating conversation on the arts. Charles Rosen, concert pianist and pioneering musicologist, and writer Catherine Temerson range widely-from musical aesthetics to tales .