9780674292208 - Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound de Brooks, Daphne A. (35 resultados)

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Paperback. Condición: Good.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback or Softback. Condición: New. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Winner of the Ralph J. Gleason Music Book Award, Rock and Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN Oakland-Josephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines.inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe.Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

Paperback. Condición: new. Paperback. Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN OaklandJosephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals. Liner Notes for the Revolution offers a startling new perspective on Black women musicians from Bessie Smith to Beyonce. Informed by the overlooked contributions of women who wrote about the blues, rock, and pop, Daphne A. Brooks argues that acclaimed entertainers have also been radical intellectuals, challenging the culture industry to catch up. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Winner of the Ralph J. Gleason Music Book Award, Rock and Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN Oakland-Josephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines.inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe.Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: New. New from the publisher.

Condición: new.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New. 2023. Paperback. . . . . .

paperback. Condición: New. Special order direct from the distributor.

paperback. Condición: New.

Condición: New.

Condición: New. In.

Paperback. Condición: Brand New. 608 pages. 9.25x6.25x1.75 inches. In Stock.

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Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 608 pages. 9.25x6.25x1.75 inches. In Stock.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN OaklandJosephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals. Liner Notes for the Revolution offers a startling new perspective on Black women musicians from Bessie Smith to Beyonce. Informed by the overlooked contributions of women who wrote about the blues, rock, and pop, Daphne A. Brooks argues that acclaimed entertainers have also been radical intellectuals, challenging the culture industry to catch up. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Winner of the Ralph J. Gleason Music Book Award, Rock and Roll Hall of FameWinner of the American Book Award, Before Columbus FoundationWinner of the PEN Oakland-Josephine Miles AwardWinner of the MAAH Stone Book AwardA Pitchfork Best Music Book of the YearA Rolling Stone Best Music Book of the YearA Boston Globe Summer Read"Brooks traces all kinds of lines.inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening."-New York Times"A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe.Connecting the sonic worlds of Black female mythmakers and truth-tellers."-Rolling Stone"A gloriously polyphonic book."-Margo Jefferson, author of NegrolandHow is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.