Isbn: 9780520254824 - brecht at the opera: volume 9 (california studies in 20th-century music) (28 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. This is a beautiful, seemingly unread, copy. Rubbed area on top front corner from former adhesive label. Book itself is immaculate.

hardcover. Condición: Very Good in Dustjacket. Estado de la sobrecubierta: Very Good. First Edition. Berkeley. 2008. University of California Press. 1st American Edition. Very Good in Dustjacket. 9780520254824. California Studies in 20th-Century Music, 9. 304 pages. hardcover. keywords: Music Opera Bertolt Brecht. DESCRIPTION - Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. inventory #35890.…

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780520254824.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. "Brecht at the Opera" looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Condición: New. Argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Series: California Studies in 20th-Century Music. Num Pages: 304 pages, 2 tables, 18 music examples. BIC Classification: AVGC9. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 22. Weight in Grams: 472. . 2008. First Edition. Hardcover. . . . .…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. "Brecht at the Opera" looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Series: California Studies in 20th-Century Music. Num Pages: 304 pages, 2 tables, 18 music examples. BIC Classification: AVGC9. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 22. Weight in Grams: 472. . 2008. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Condición: New. pp. 304.

Condición: New. pp. 304.

Hardback. Condición: New. "Brecht at the Opera" looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Condición: New. &Uumlber den AutorJoy H. Calico is Associate Professor of Musicology in the Blair School of Music at Vanderbilt University.Klappentextrnrn Brecht at the Opera looks at the German playwright s lifelong ambivalent eng.

Hardcover. Condición: Brand New. 1st edition. 304 pages. 9.25x6.25x1.25 inches. In Stock.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. BERKELEY: University of California Press, 2008. First edition. First printing. Hardbound. New/New. Purchased new and never opened. FERRY. UNIVERSITY PRESS.

Hardback. Condición: New. "Brecht at the Opera" looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Buch. Condición: Neu. Neuware - From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Hardcover. Condición: Brand New. 1st edition. 304 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.