9780520249349 - monteverdi's last operas: a venetian trilogy de rosand, ellen (17 resultados)
Idioma: Inglés
Editorial: University of California Press, Berkeley, Etc. 2007
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Librería: Hackenberg Booksellers ABAA, El Cerrito, CA, Estados Unidos de AmericaHackenberg Booksellers ABAA
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EUR 31,05
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xxiv, 447p., b/w illus., music, dj.
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hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
Idioma: Inglés
Editorial: University of California Press [2007], Berkeley, etc. 2007
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Librería: Colin Coleman Music, Stewkley, , Reino UnidoColin Coleman Music
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EUR 53,60
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Size: 8vo. xxiv, 447pp. Publisher's cloth with printed pictorial dust-jacket. Music examples and facsimiles.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 75,87
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Condición: As New. Unread book in perfect condition.
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EUR 76,80
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
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EUR 72,99
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hardcover. Condición: New. In shrink wrap. Looks like an interesting title.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 73,81
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 71,80
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Condición: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages, 3…0 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . .
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 85,65
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Hardback. Condición: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new per…spective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 73,80
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Condición: New.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 75,17
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Condición: As New. Unread book in perfect condition.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 88,41
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Condición: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages, 3…0 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 98,00
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Hardback. Condición: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new per…spective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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EUR 94,14
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Hardcover. Condición: Brand New. 1st edition. 447 pages. 10.00x7.00x1.50 inches. In Stock.
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Librería: THE SAINT BOOKSTORE, Southport, , Reino UnidoTHE SAINT BOOKSTORE
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EUR 95,39
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 100,60
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Hardback. Condición: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new per…spective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 80,33
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Hardback. Condición: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new per…spective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
