9780520238459 - music in other words: victorian conversations: 12 (california studies in 19th-century music) de solie, ruth a. (17 resultados)

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Librería: Calliopebooks, Potomac, MD, Estados Unidos de AmericaCalliopebooks
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hardcover. Condición: Like New. Like New. University of California Press. 2004. First Printing. Like new and unread condition clean tight and bright. Black cloth hardcover is like new. DJ is in fine condition one small tear (1/3") on dj else DJ is in new condition.

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Hardcover. Condición: Near Fine. Near Fine. First Edition; First Printing. Tight unmarked book with a corner clip to the front endpaper; in lighlty rubbed dust jacket.; 6 X 0.8 X 9 inches; 223 pages.

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Hardcover. Condición: Very Good. Music in Other Words: Victorian Conversations (California Studies in 19th-Century Music): 12 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This boo…k has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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Hardback. Condición: New. Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, no…vels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject - that cultural information so present and pervasive as to go unsaid - fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people - English and others - experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, "Macmillan's Magazine", George Eliot's "Daniel Deronda", opera tropes in literature, and the Victorian myth of the girl at the piano.They evoke common themes - including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility - and in turn suggest the complex links between the history of music and the history of ideas.

Music in Other Words: Victorian Conversations (California Studies in 19th-Century Music) (Volume 12)
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Hardback. Condición: New. Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, no…vels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject - that cultural information so present and pervasive as to go unsaid - fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people - English and others - experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, "Macmillan's Magazine", George Eliot's "Daniel Deronda", opera tropes in literature, and the Victorian myth of the girl at the piano.They evoke common themes - including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility - and in turn suggest the complex links between the history of music and the history of ideas.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 1st edition. 240 pages. 9.00x6.25x0.75 inches. In Stock.

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Librería: moluna, Greven, Alemaniamoluna
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Gebunden. Condición: New. Examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians.Inhaltsverzeichnis.

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Buch. Condición: Neu. Neuware - Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journali…sm, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject--that cultural information so present and pervasive as to go unsaid--fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people--English and others--experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes--including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility--and in turn suggest the complex links between the history of music and the history of ideas.