Isbn: 9780520235151 - in other los angeleses: multicentric performance art (24 resultados)

Soft Cover. softcover, Near Fine. Book.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Fine. 1st. xxxiv, 407 pages, illustrations; 24 cm. Tight, clean copy. *** "Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. / Meiling Cheng is Associate Professor and Director of Critical Studies at School of Theatre, University of Southern California." - Publisher. Size: 8vo.…

Paperback. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Trade Paperback. Condición: Very Good. A clean, unmarked book with a tight binding. Light wear to cover and small tear at top of spine. 408 pages. The author discusses Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint and others. Keywords: Performance art, Los Angeles, Meiling Cheng, Center, Periphery, Marginal cultures, Mainstream, Art Criticism, Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint, Southern California. …

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Slate grey cloth/boards; silver lettering. xxxiv + 407 pp. with 52 bw illustrations. No dust jacket. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about "multicentric" Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. VG, clean, tight copy but with art school ex-lib. marks.…

Soft cover. Condición: Very Good. 1st Edition. SIGNED by author on half-title page and inscribed to Mary. 1st Printing. Pages clean and unmarked with no rips. Binding tight. Covers clean and bright. Moderate corner bumping. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight. Signed by Author(s).…

Paperback. Condición: New. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation'. Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now'.Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience', readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance'. Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. This work is published in association with the Southern California Studies Center at the University of Southern California.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 408 pages; very good condition, clean and crisp; inscribed and signed by author on first page; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: Near Fine. Spine not creased. 230 x 150 mm. xxxiv, 414 pp. A study of Performance Art in 'multicentric' Los Angeles. B&w figures in the text. Book.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 441 1st Edition.

Condición: New. pp. 441.

Paperback. Condición: Brand New. 1st edition. 407 pages. 8.75x6.00x1.00 inches. In Stock.

Soft cover. Condición: Very Good. 1st Edition. Los Angeles multicentric performance art.

Paperback. Condición: New. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation'. Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now'.Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience', readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance'. Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. This work is published in association with the Southern California Studies Center at the University of Southern California.…

Taschenbuch. Condición: Neu. Neuware - Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork.Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression.As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact.Published in association with the Southern California Studies Center at the University of Southern California.…

Condición: New. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about multicentric Los Angeles, finding its centers of activity, moving and changing as the margins have reconstituted themselves. This work describes perfor.