Isbn: 9780520219328 - visual piety: a history and theory of popular religious images (22 resultados)

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Paperback. Condición: Good. A study of devotional images that traces their historical links to important strains of American culture. It demonstrates how popular visual images - from Warner Sallman's 'Head of Christ' to velvet renditions of DaVinci's 'Last Supper' to illustrations on prayer cards - have assumed central roles in contemporary American lives and communities. …

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Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condición: Very Good. No Jacket. Cover is in excellent condition, save for minimal corner bumping. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall. Various (Photographs) (ilustrador). …

paperback. Condición: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images--from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards--have assumed central roles in contemporary American lives and communities. Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief.Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics,Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Condición: New. In English.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Paperback. Condición: Brand New. 1st edition. 283 pages. 9.50x6.00x0.75 inches. In Stock.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: New. This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images--from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards--have assumed central roles in contemporary American lives and communities. Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief.Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics,Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.…

Condición: New. A study of devotional images that traces their historical links to important strains of American culture. It demonstrates how popular visual images - from Warner Sallman s Head of Christ to velvet renditions of DaVinci s Last Supper to illustrations on .

Taschenbuch. Condición: Neu. Neuware - This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images--from Warner Sallman's 'Head of Christ' to velvet renditions of DaVinci's 'Last Supper' to illustrations on prayer cards--have assumed central roles in contemporary American lives and communities.Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls 'visual piety,' or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.…