9780500519103 - josef albers: life and work de darwent, charles (37 resultados)
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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. *Flash Sale* 30% OFF* ENDS 7/19 -Factory sealed. This full-scale biology draws on extensive unpublished archival writings, documents, and illustrations. Among Albers?s unpublished papers are letters from friends John Cage, Robert Rauschenberg, Richard Serra,… and Eva Hesse, as well as fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. Josef Albers (1888-1976) was a German-born American artist and educator who is considered one of the most influential 20th-century art teachers in the United States. He was at the Bauhaus, pioneered the study of color at Black Mountain College in North Carolina, and chaired the design department at Yale University. 400p. Measures 6.75x9.75 inches.
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Hardcover. Condición: New. Josef Albers ran the Bauhaus wallpaper workshop and designed furniture before pioneering the study of colour at Black Mountain College and organizing their Summer Sessions. Using unpublished writings, Darwent explores the artistic context and relationships that shaped the painter's work.
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hardcover. Condición: New. Estado de la sobrecubierta: New. First Edition. 1st UK Edition. New copy picked straight from printer's box. Priority orders will be dispatched by Royal Mail TRACKED 24 or courier (particularly if over 2kg). Standard mail will be dispatched by Royal Mail TRACKED 48 (up to 2kg), heavier items by courier… . Overseas orders will be dispatched by Royal Mail International.Tracked. PLEASE CONTACT ME FOR MY PRIVACY POLICY.
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Condición: Very Good. Hardcover in a bright dust jacket. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colou…r. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. 335 pages with 185 illustrations including the 23 color plates bookending the beginning and end of the text. Still in publisher's shrinkwrap. Record # 401157.
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these p…ictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed 'Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.
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Librería: art longwood books, Gloucester, MA, Estados Unidos de Americaart longwood books
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Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. hard cover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, clips. tight binding.; 335pp., 185 illustrations, presumeably including the 23 color plates bookending the begining and end of the text. Size: 8vo - over 7¾" - 9¾" tall.
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Hardcover. Condición: new. Hardcover. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not b…egin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed 'Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output. The first full-scale biography of one of the 20th-centurys great makers, theorists and painters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: artbook-service, Berlin, Alemaniaartbook-service
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Gebunden. Condición: Neu. Neu -Bauhaus painter behind 'Homages To The Square' Josef Albers is the subject of this biography and creative appraisal from the author of 'Mondrian In London'. 352 pp. Englisch.
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Condición: New. 2018. Hardcover. . . . . .
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Hardback. Condición: New. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these p…ictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed 'Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.
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hardcover. Condición: New.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Condición: New. In.
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Hardcover. Condición: New.
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Condición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 335 pages, xxiii pages of plates, illustrations (some colour), portraits (some colour); 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "While Josef Albers' Bauhaus colleagues Klee and Kandinsky are househo…ld names, Albers himself has remained inscrutable. He is best known as the painter of the 'Homages to the Square', a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Drawing on extensive unpublished archival writings, documents, and illustrations, this is the first full-scale biography of one of the 20th-century's great artists. Among Albers's unpublished papers are letters from friends John Cage, Robert Rauschenberg, Richard Serra, and Eva Hesse, as well as fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so too, were his interests." - Publisher. *** CONTENTS: Introduction: Homages to the square; Am Anfang; The world outside: Berlin and Munich; A man of glass: Weimar; Student to Meister: Dessau and Berlin; Amerika: Black Mountain College; Ends and beginnings: Yale; That which should accompany old age. Size: 8vo. Collectible.
Editorial: Thames & Hudson, New York, 2018
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Librería: Kubik Fine Books Ltd., ABAA, Dayton, OH, Estados Unidos de AmericaKubik Fine Books Ltd., ABAA
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Hardcover. Condición: Very Good. First American Edition, 1st Printing. 335p; xxxiii plates. A hardcover book in near-fine condition with a like dustjacket. Top corner of back cover bumped, and shallow dent in side foredge. Otherwise clean and tight. The jacket is fully intact. A biography of the German artists and educator.
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Darwent, Charles. JOSEF ALBERS: Life and Work. 400 pp. New York, Thames & Hudson, 2018. Drawing on extensive unpublished archival writings, documents, and illustrations, this is the first full-scale biography of one of the 20th-century's great artists. In his accessible study of the "whole" Albers, Charles Darwent combats the fa…bles while telling the fascinating story of an artist, friend, and intellectual. Among Albers's unpublished papers are letters from friends John Cage, Robert Rauschenberg, Richard Serra, and Eva Hesse, as well as fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so too, were his interests. He started life at the Bauhaus as a glass-maker and went on to create fonts, to run their famous wallpaper workshop, and to make furniture whose designs are still in production eighty years later. He pioneered the study of color at Black Mountain College in North Carolina, and chaired the design department at Yale University. While books have been written about Albers for specialist audiences, this new volume fulfills the clear need for a more general study.
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Librería: Kloof Booksellers & Scientia Verlag, Amsterdam, HolandaKloof Booksellers & Scientia Verlag
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Condición: as new. London : Thames & Hudson, 2018. Hardcover. Dustjacket. 335 pp. The first full-scale biography of one of the 20th-century's great makers, theorists and painters. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painte…r of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed 'Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output. Condition : as new copy. ISBN 9780500519103. Keywords : ART, Albers, Josef (1888-1976).
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Hardcover. Condición: new. Hardcover. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not b…egin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed 'Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output. The first full-scale biography of one of the 20th-centurys great makers, theorists and painters. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: moluna, Greven, Alemaniamoluna
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Gebunden. Condición: New. The first full-scale biography of one of the 20th-century s great makers, theorists and painters.Über den AutorrnrnCharles Darwent is an art critic and reviewer. He contributes regularly to the Guardian, the Art Newspaper and Art Review.
