9780415919128 - Picturing Science, Producing Art (32 resultados)

paperback. Condición: Very Good. Paperback book, some wear.

paperback. Condición: Very Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Picturing Science, Producing Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Soft cover. Condición: Very good. No jacket. Light shelf wear. Cover and inside pages are clean and unmarked.

paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Softcover. Silver wraps, black illustration and lettering; x, 518 pp; bw illustrations. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. Contents: Style as inclusion, style as exclusion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary. Good+ (Ex-library with stamps and labels on spine, inside front and rear covers, ffep. Light shelfwear to wraps and block. Binding is tight and pages are otherwise clear.).

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780415919128.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft cover. Condición: Fine. Estado de la sobrecubierta: As New. 2nd Edition. Condition: Fine, unread and excellent book; all pages pristine, cover excellent, no markings, no tears. // Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. // x + 518 pages; format: 24,4 x 17,8 x 3,4 cm; Bookweight: 1150 g.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In.

Paperback. Condición: Good. Paperback Small Quarto. wraps, 518 pp front cover creased on the bottom right corner.

Condición: New. pp. 530.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

broschiert. Condición: Sehr gut. 518 Seiten ; Ill. ; Sprache: English sehr guter Zustand, fast wie neu, wirkt ungelesen, leichte Lagerspuren am Einband, Stehkante und unterer Schnitt leicht bestoßen, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1150.

Condición: New. pp. 530.

Paperback. Condición: New. Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Condición: New. This text looks into the growing field of inquiry into what science and art share as image-making and knowledge-producing activities. It utilizes disciplinary perspectives that range from art to sociology, gender studies, history and philosophy. Editor(s): Jones, Caroline A.; Galison, Peter. Num Pages: 608 pages, 70 b&w illustrations. BIC Classification: ABA; PDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 253 x 179 x 29. Weight in Grams: 934. . 1998. 1st Edition. paperback. . . . .

Condición: New. This text looks into the growing field of inquiry into what science and art share as image-making and knowledge-producing activities. It utilizes disciplinary perspectives that range from art to sociology, gender studies, history and philosophy. Editor(s): Jones, Caroline A.; Galison, Peter. Num Pages: 608 pages, 70 b&w illustrations. BIC Classification: ABA; PDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 253 x 179 x 29. Weight in Grams: 934. . 1998. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 1st edition. 528 pages. 10.25x7.25x1.25 inches. In Stock.

Paperback. Condición: New. Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Condición: New. pp. 530 66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam This item is printed on demand.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 966.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Caroline A. Jones teaches contemporary art and criticism and directs the Museum Studies Program in the Art History Department at Boston University. Her most recent exhibition is Painting Machines (1997), and her books include.