Isbn: 9780300178616 - sol lewitt: structures, 1965-2006 (27 resultados)

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    Editorial: Other Distribution, 2012

    0300178611 / 9780300178616

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    Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

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    Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

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    Editorial: Public Art Fund in association with Yale University Press, 2011

    0300178611 / 9780300178616

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    Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Large-format volume, measuring approximately 10.5" x 12.25", is bound in black paper-covered boards, with stamped yellow lettering to spine. Book and dust jacket are like new. Numerous full- and double-page color photos of the sculptural work of US artist Sol Lewitt (1928-2007). Jacket is preserved in paper-backed mylar cover. This catalogue was published on occasion of the exhibition of the same name on view in City Hall Park, New York, May 24-December 3, 2011. 191 pages.

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    Editorial: Public Art Fund and Yale University Press, 2011

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    Hardcover with dustjacket, 192 pages; very good condition; clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

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    Editorial: Yale University Press, 2012

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    Editorial: Yale University Press, 2012

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    Condición: New. pp. 226 150 Illus. (Col.).

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    Editorial: Yale University Press, 2012

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    Editorial: 2011, 2012

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    Baume, Nicholas et al. SOL LEWITT: Structures, 1965-2006. 192 pages, including 108 color plates, 56 b&w figures. 4to, boards. New York, Public Art Fund, in association with New Haven and London, Yale University Press, 2011. Exhibition in City Hall Park, New York.

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    Editorial: Yale University Press, US, 2012

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    Hardback. Condición: New. Sol LeWitt (1928-2007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation.Distributed for the Public Art Fund, New York CityExhibition Schedule:City Hall Park, New York(05/24/11-12/02/11).

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    Condición: New. In English.

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    Editorial: Yale University Press, New Haven, 2012

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    Hardcover. Condición: new. Hardcover. Sol LeWitt (19282007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation. Distributed for the Public Art Fund, New York City Exhibition Schedule: City Hall Park, New York (05/24/11-12/02/11) A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Yale University Press, 2012

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    Condición: New. A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one" Editor(s): Baume, Nicholas. Num Pages: 226 pages, 150 colour illustrations. BIC Classification: ACXJ5; AGB. Category: (G) General (US: Trade). Dimension: 260 x 308 x 22. Weight in Grams: 1588. . 2012. Hardcover. . . . .

  • Idioma: Inglés

    Editorial: Yale University Press, New Haven, 2011

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    Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 192 pages 108 illustrations in color. Foreword by Susan K. Freedman. Published on the occasion of the exhibition from City Hall Park, New York NY May 24-December 3, 2011. Exhibition Checklist.

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    Hardcover. Condición: Brand New. 226 pages. 12.05x10.16x0.87 inches. In Stock.

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    Editorial: Yale University Press, 2012

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    Condición: New. A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one" Editor(s): Baume, Nicholas. Num Pages: 226 pages, 150 colour illustrations. BIC Classification: ACXJ5; AGB. Category: (G) General (US: Trade). Dimension: 260 x 308 x 22. Weight in Grams: 1588. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

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    Condición: New. pp. 226.

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    Editorial: Yale University Press, New Haven, 2012

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    Hardcover. Condición: new. Hardcover. Sol LeWitt (19282007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation. Distributed for the Public Art Fund, New York City Exhibition Schedule: City Hall Park, New York (05/24/11-12/02/11) A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one" Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Idioma: Inglés

    Editorial: Yale University Press, US, 2012

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    Hardback. Condición: New. Sol LeWitt (1928-2007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation.Distributed for the Public Art Fund, New York CityExhibition Schedule:City Hall Park, New York(05/24/11-12/02/11).

  • Idioma: Inglés

    Editorial: Yale University Press, New Haven, 2012

    0300178611 / 9780300178616

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    Hardcover. Condición: new. Hardcover. Sol LeWitt (19282007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale. The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation. Distributed for the Public Art Fund, New York City Exhibition Schedule: City Hall Park, New York (05/24/11-12/02/11) A fascinating look at LeWitt's deceptively simple geometric sculptures, which epitomize the artist's aim "to recreate art" by starting "from square one" Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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    Hardcover. Condición: New. Sol LeWitt (1928â"2007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale.The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation.

  • Editorial: Public Art Fund/Yale University Press, New York/New Haven, 2011

    0300178611 / 9780300178616

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    Hardcover. Condición: Fine. Near Fine. First Edition; First Printing. First edition Fine in close to fine dust jacket. (Trace of mild shelf-wear at crest of spine on jacket. ) (192pp. ) (10 1/4" X 12") Exhibition catalogue featuring 27 works in New York's City Hall Park. ; 10 1/4" x 12 3/4"; 192 pages.