ISBN: 9780292753013 - color american photography transformed /anglais (the william and bettye nowlin series in art, history, and culture of the western hemisphere) (20 resultados)

Hardback. Condición: Fair. Capturing the world in color was one of photography's greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston's photographs at the Museum of Modern Art, did the art world embrace color. By accepting color's flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color's integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers' initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography's documentary foundations with the creative flexibility of painting. Sylvie P nichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condición: Fair. Capturing the world in color was one of photography's greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston's photographs at the Museum of Modern Art, did the art world embrace color. By accepting color's flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color's integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers' initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography's documentary foundations with the creative flexibility of painting. Sylvie P nichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Oversize. Faint rub mark & tiny snag in cloth on front cover, otherwise Fine in dust jacket. Laid in is a signed letter from the Publications Manager to collector Mark Jacobs thanking him for the use of the copy plates and reconstruction of James Clerk Maxwell and Thomas Sutton's, Tartan Ribbon, 1861, which is included in this exhibition catalogue.…

Hardcover. First edition, first printing. Fine clothbound hardcover with a touch of rubbing to the extremities in a Fine dust jacket with a touch of shelf wear. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue of a major exhibition at the Amon Carter Museum of American Art, Color tells, for the first time, the story of color's integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers' initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. Text by John Rohrbach; essay by Sylvie Penichon. 344 pages; 75 full-page color plates + over 80 text illustrations; 10.25 x 12.25 inches. List of plates, bibliography, index. Due to size and weight, international and expedited shipping will be more than quoted.…

Hardcover with dustacket, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New. 2013. Hardcover. . . . . .

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New. The first book that addresses color in photography from the beginning of the medium to the present, this landmark copublication with the Amon Carter Museum of American Art explores how color transformed photography into today s dominant artistic form.

Condición: New. 2013. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: Very Good.

Hardcover. Condición: Brand New. 344 pages. 12.00x10.50x1.50 inches. In Stock.

Condición: New. pp. 344 97 Figures.

Condición: New. pp. 344.

Buch. Condición: Neu. Neuware - The first book that addresses color in photography from the beginning of the medium to the present, this landmark copublication with the Amon Carter Museum of American Art explores how color transformed photography into today¿s dominant artistic form.