9780271085036 - titian’s icons: tradition, charisma, and devotion in renaissance italy de nygren, christopher j. (16 resultados)
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Editorial: Pennsylvania State University Press, University Park, 2020
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Hardcover. Condición: new. Hardcover. Winner of the Phyllis Goodhart Gordan Book Prize from the Renaissance Society of AmericaTitian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusu…al circumstance as a point of departure, Christopher J. Nygren revisits the scope and impact of Titians lifes work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century.Drawing attention to Titians unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titians conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century.Original and erudite, this book represents an important reassessment of Titans approach to devotional subject matter. It will appeal to students and specialists as well as art aficionados interested in Titian and in religious painting. A reexamination of the career of Titian, the only Renaissance artist credited by contemporaries with painting a miracle-working image. Argues that a major part of the artist's legacy is to be found in his charismatic entrance into the tradition of Christian icon painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. sew edition. 304 pages. 10.00x9.00x1.09 inches. In Stock.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2020. Illustrated. Hardcover. . . . . .
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. Winner of the Phyllis Goodhart Gordan Book Prize from the Renaissance Society of AmericaTitian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual circumsta…nce as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian's life's work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century.Drawing attention to Titian's unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian's conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century.Original and erudite, this book represents an important reassessment of Titan's approach to devotional subject matter. It will appeal to students and specialists as well as art aficionados interested in Titian and in religious painting.
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Condición: New. 2020. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.
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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. A reexamination of the career of Titian, the only Renaissance artist credited by contemporaries with painting a miracle-working image. Argues that a major part of the artist s legacy is to be found in his charismatic entrance into the tradition of Christian.
Idioma: Inglés
Editorial: Pennsylvania State University Press Jul 2020, 2020
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 116,19
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Buch. Condición: Neu. Neuware - Winner of the Phyllis Goodhart Gordan Book Prize from the Renaissance Society of America Titian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual ci…rcumstance as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian's life's work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century.Drawing attention to Titian's unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian's conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century.Original and erudite, this book represents an important reassessment of Titan's approach to devotional subject matter. It will appeal to students and specialists as well as art aficionados interested in Titian and in religious painting.
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Librería: preigu, Osnabrück, Alemaniapreigu
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Buch. Condición: Neu. Titian's Icons | Tradition, Charisma, and Devotion in Renaissance Italy | Christopher J. Nygren | Buch | Einband - fest (Hardcover) | Englisch | 2020 | Pennsylvania State University Press | EAN 9780271085036 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[do…t]de | Anbieter: preigu.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. Winner of the Phyllis Goodhart Gordan Book Prize from the Renaissance Society of AmericaTitian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual circumsta…nce as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian's life's work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century.Drawing attention to Titian's unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian's conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century.Original and erudite, this book represents an important reassessment of Titan's approach to devotional subject matter. It will appeal to students and specialists as well as art aficionados interested in Titian and in religious painting.
