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Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: PlumCircle, West Mifflin, PA, Estados Unidos de America
Libro
paperback. Condición: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Libro
Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.95.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.95.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.95.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: The Maryland Book Bank, Baltimore, MD, Estados Unidos de America
Libro Original o primera edición
paperback. Condición: Very Good. 1st Edition. Used - Very Good.
Publicado por Pennsylvania State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro Original o primera edición
Condición: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: BookHolders, Towson, MD, Estados Unidos de America
Libro
Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Pennsylvania State Univ Pr Pub Date: 4/30/2005 Binding: Paperback Pages: 166 First edition.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: HPB-Movies, Dallas, TX, Estados Unidos de America
Libro
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Ebooksweb, Bensalem, PA, Estados Unidos de America
Libro
paperback. Condición: VeryGood. signs of little wear on the cover.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Ebooksweb, Bensalem, PA, Estados Unidos de America
Libro
paperback. Condición: LikeNew. Remainder mark.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Ebooksweb, Bensalem, PA, Estados Unidos de America
Libro
paperback. Condición: New. .
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: GoldenDragon, Houston, TX, Estados Unidos de America
Libro
Paperback. Condición: new. Buy for Great customer experience.
Publicado por Baltimore Museum of Art, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Hardbound. Condición: New. Illustrated coers. 166 pp. Profusely illustrated in color. Not really a hardback, but very stick covers that are flexible. This finely conceived and timely exhibition catalogue offers an intelligent exploration of an important and intriguing, but also largely unexamined, aspect of post-sixties art: the slide display utilized as artwork in its own right rather than as a medium for viewing reproductions. (Alex Potts) Since the Renaissance, most art has been prized because of the prodigious skills that went into its making. Why would any artist choose to work with slides? Is the development of slide art connected to the ferment of the 60s? This book examines Slide Art.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Softcover. Condición: new. 1. New babies just home from the hospital children cavorting under the Christmas tree weddings receptions birthday partiesthese and many other happy memories live on through the magic of color slides Kodak instruction manual 1967Interview with Darsie Alexander Curator BMA August 2004Since the Renaissance most art has been prized because of the prodigious skills that went into its making Why would any artist choose to work with slidesIts tempting to see slide projection as quick and easy Indeed many artists cite these qualities when explaining their initial attraction to the medium But the process can be complicated involving not only the creation of the transparency itself but also its arrangement projected scale and timing A single carousel may contain as many as eighty images that must be numbered and ordered a task that grows all the more complicated with the addition of each new slide grouping When we rediscovered a piece by one of the performance artists in the exhibition I thought he was going to cry The prospect of putting the whole complex thing back together was painful even though he was delighted to see his work again Of course slide projection is lowtech and notoriously accidentprone But I think the medium owes a lot of its immediacy to its tendency as an apparatus to jam to burn out a bulb to turn a wellplanned show into a logistical nightmare Good art often courts disasterIs the development of slide art connected to the ferment of the 60sDuring the 1960s and 1970s public projection of slides became a vehicle for social and political activism Slide projections portability made this possible enabling artists Krzysztof Wodiczko for example to project powerful challenging images onto public buildings When Lucy Lippard wanted to publicize the exclusion of women from the Whitney Annual of 1970 she projected slides against the surface of the museum to protest its curatorial policies This application of slides as critical commentary had historical precedents in the 1880s the photographer Jacob Riis used slides of the urban poor to arouse the concern of people who might have been able to helpDid the strong associations of slides with family entertainment have any impact on the ways artists adapted the mediumThe fact that the medium promotes a collective viewing experience is important for both artists and popular users The act of looking at images especially still photographs generally involves a single spectator and a stationary object but with slides you are often sitting in the same room with other people sharing the experience with them People who watch Nan Goldins The Ballad of Sexual Dependency for example find themselves on the same emotional roller coaster Its like the family slide show in a way people participate in a joint emotional response to images of past events Of course the memories and feelings such a work stimulates are different for everyone and that is the reason The Ballad is such a great piece Marcel Proust as well as Ingmar Bergman have called attention to the mesmerizing power of the magic lantern shows they saw as childrenIs there any connection between those shows and slide shows by such artists as Dennis Oppenheim or James ColemanProjection is a mysterious process that evokes all kinds of fantasies The ancient meaning of the term to project is related to the alchemical process for changing base metal into gold Nearly every artist I interviewed remembers being fascinated by shadows on the wall as a kid or lying in the dark using the beam of a flashlight to make patterns in the darkness An artist like James Coleman extends this magical experience to viewers by manipulating the transformative properties of slides as images that are not quite real indeed the projections themselves are totally intangible But all the works in the exhibition invite viewers to read meaning into translucent picturesIs slide technolo.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Wizard Books, Long Beach, CA, Estados Unidos de America
Libro
Paperback. Condición: new. New.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Libro
Paperback. Condición: new. New Copy. Customer Service Guaranteed.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Save With Sam, North Miami, FL, Estados Unidos de America
Libro
Paperback. Condición: New. Brand New!.
Publicado por Baltimore Museum of Art, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover; 166 pages, very good condition, clean and crisp; no internal marks. Includes: Robert Barry, Lothar Baumgarten, Marcel Broodthaers, James Coleman, Jan Dibbets, Willie Doherty, Peter Fischli and David Weiss, Nan Goldin, Dan Graham, Louise Lawler, Helen Levitt, Ana Mendieta, Jonathan Monk, Dennis Oppenheim, Robert Smithson and others. Foreign shipping may be extra.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Calliopebooks, Potomac, MD, Estados Unidos de America
Libro
paperback. Condición: New. NEW and sealed in plastic from publisher.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: GoldenWavesOfBooks, Fayetteville, TX, Estados Unidos de America
Libro
Paperback. Condición: new. New. Fast Shipping and good customer service.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Big Bill's Books, Wimberley, TX, Estados Unidos de America
Libro
Paperback. Condición: new. Brand New Copy.
Publicado por Pennsylvania State Univ Pr, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. 1st edition. 192 pages. 9.50x8.75x0.75 inches. In Stock.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: BennettBooksLtd, North Las Vegas, NV, Estados Unidos de America
Libro
Condición: New. New. In shrink wrap. Looks like an interesting title! 1.9.
Publicado por Penn State University Press, 2005
ISBN 10: 0271025417ISBN 13: 9780271025414
Librería: Iridium_Books, DH, SE, España
Libro
PAPERBACK. Condición: Good. 0271025417.