Idioma: Inglés
Publicado por Syracus University Press, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 55,47
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Brand New.
Idioma: Inglés
Publicado por Penn State University Press, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 74,98
Cantidad disponible: 14 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Penn State University Press, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 77,58
Cantidad disponible: 14 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Taylor & Francis Ltd, Aldershot, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 79,93
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on modernism and ongoing acclaim. Tow of his most influential books, "The Quattro Cento" (1932) and "Stones of Rimini" (1934), are bought together in this volume, which includes all their original illustrations. The forward and introduction place Stokes's works in the context of early 20th-century culture and discuss their structure and relevance to today's experience of art and architecture. The books reproduced here mark a crossroads in the transition from late Victorian to modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Peter's belief that art is essential to the individual's proper psychological development, but wove their new teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance and the visual arts. Originally published in the 1930s as part of an incomplete trilogy, Adrian Stokes's studies on the sculpture of the Italian Renaissance reflect the author's belief that the lover of stone is the artist who can make the inanimate animate. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Pennsylvania State Univ Pr, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: Revaluation Books, Exeter, Reino Unido
EUR 104,08
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 536 pages. 8.75x6.00x1.75 inches. In Stock.
EUR 78,02
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. KlappentextAdrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his m.
Idioma: Inglés
Publicado por Ashgate Publishing Limited, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 117,80
Cantidad disponible: 14 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Ashgate Publishing Limited, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 124,98
Cantidad disponible: 14 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Taylor & Francis Ltd Jun 2002, 2002
ISBN 10: 0271022175 ISBN 13: 9780271022178
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 105,25
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.