Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
EUR 11,39
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Añadir al carritoCondición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
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Añadir al carritohardcover. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Librería: PlumCircle, West Mifflin, PA, Estados Unidos de America
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Añadir al carritohardcover. Condición: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
Librería: Magers and Quinn Booksellers, Minneapolis, MN, Estados Unidos de America
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Añadir al carritohardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Librería: Magers and Quinn Booksellers, Minneapolis, MN, Estados Unidos de America
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Añadir al carritohardcover. Condición: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.
Idioma: Inglés
Publicado por MIT Press, Cambridge, MA, 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: Montana Book Company, Fond du Lac, WI, Estados Unidos de America
EUR 18,03
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Añadir al carritoCloth. Condición: Very Good. 270 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.
Idioma: Inglés
Publicado por MIT Press Ltd, Cambridge, Mass., 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 27,50
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Añadir al carritoHardcover. Condición: new. Hardcover. How the history of art begins with the myth of the barbarian invasion-the romantic fragmentation of classical eternity.The history of art, argues ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood-and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of "races" and "peoples" rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups-denouncing or praising certain qualities as "Latin" or "Germanic." Thus the predominance of linear elements was thought to betray a southern origin, and the "painterly" a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works-categorized, for example, as "African American," "Latino," or "Native American"-creates added value. The market displays the same competition among "races" that was present at the foundation of art history as a discipline. How the history of art begins with the myth of the barbarian invasionthe romantic fragmentation of classical eternity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 26,92
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Añadir al carritoCondición: New.
EUR 30,30
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Añadir al carritoHardback. Condición: New.
Librería: Massive Bookshop, Greenfield, MA, Estados Unidos de America
EUR 31,57
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Añadir al carritoHardcover. Condición: New.
Idioma: Inglés
Publicado por The MIT Press Bookstore, 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 32,58
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Añadir al carritoCondición: New.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 34,54
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: Romtrade Corp., STERLING HEIGHTS, MI, Estados Unidos de America
EUR 36,99
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Añadir al carritoCondición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Librería: Basi6 International, Irving, TX, Estados Unidos de America
EUR 36,99
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Idioma: Inglés
Publicado por The MIT Press, Cambridge, MA, USA, 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: BookAddiction (IOBA, IBooknet), Canterbury, Reino Unido
Miembro de asociación: IOBA
EUR 29,89
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Añadir al carritoHardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. x, 270pp. Black paper-covered boards; silver titles on spine. 8vo. Volume is neat, clean, bright and tight throughout.Dust jacket has very light shelf wear.
Librería: SMASS Sellers, IRVING, TX, Estados Unidos de America
EUR 38,39
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Añadir al carritoCondición: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.
Idioma: Inglés
Publicado por The MIT Press Bookstore, 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: Majestic Books, Hounslow, Reino Unido
EUR 33,57
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por The MIT Press Bookstore, 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 31,98
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Añadir al carritoCondición: New.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 34,23
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . .
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 42,03
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 37,91
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Añadir al carritoHardcover. Condición: Brand New. 264 pages. 9.50x7.25x1.00 inches. In Stock.
Librería: Michael Knight, Bookseller, Forest Grove, OR, Estados Unidos de America
Original o primera edición
EUR 67,65
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Añadir al carritohardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. 1st edition, 1st printing with complete number line. Hardcover with very good dust-jacket. Clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.
Librería: UK BOOKS STORE, London, LONDO, Reino Unido
EUR 71,44
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Añadir al carritoHardcover. Condición: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.
Publicado por Penguin Random House
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 36,93
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Añadir al carritoCondición: As New. Unread copy in mint condition.
Publicado por Penguin Random House
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 37,02
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Añadir al carritoCondición: New. Brand New.
EUR 37,04
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Añadir al carritoHardback. Condición: New.
EUR 36,28
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Añadir al carritoGebunden. Condición: New. Éric Michaud is Directeur d études at the École des hautes études en sciences sociales, Paris, and a 2018� Fellow at the Italian Academy at Columbia University.How the history of art begins with the myth of the barbarian.
Idioma: Inglés
Publicado por MIT Press Ltd, Cambridge, Mass., 2019
ISBN 10: 0262043157 ISBN 13: 9780262043151
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 55,15
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. How the history of art begins with the myth of the barbarian invasion-the romantic fragmentation of classical eternity.The history of art, argues ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood-and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of "races" and "peoples" rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups-denouncing or praising certain qualities as "Latin" or "Germanic." Thus the predominance of linear elements was thought to betray a southern origin, and the "painterly" a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works-categorized, for example, as "African American," "Latino," or "Native American"-creates added value. The market displays the same competition among "races" that was present at the foundation of art history as a discipline. How the history of art begins with the myth of the barbarian invasionthe romantic fragmentation of classical eternity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 37,02
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New.