Isbn: 9780262039864 - gyorgy kepes: undreaming the bauhaus (the mit press) (26 resultados)

hardcover. Condición: Acceptable. DAMAGED - Bruise/tear to cover/dust jacket.

hardcover. Condición: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

hardcover. Condición: Good. Bruise/tear to cover.

Condición: Like New. Never used! Light wear to corners/edges from shelving.

hardcover. Condición: New.

Condición: New. New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good Dust Jacket. 1st Edition. 486 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. First Edition / First Printing. 10,9,8,7,6,5,4,3,2,1. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover with dustjacket, 486 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Hardcover. Condición: new. Hardcover. How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites.Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszl Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation: the Cold War avant-garde.Blakinger traces Kepes's career in the United States through a series of episodes: Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors-some of whom had ties to the Center. In attempting to "undream" the Bauhaus into existence in the postwar world, Kepes faced profound resistance.Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture. How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket virtually as new. Completely clean. Profusely illustrated in black & white, some color. 9" high X 7" wide, 486 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Hardback. Condición: New.

Condición: New. Illustrated edition NO-PA16APR2015-KAP.

Hardback. John R. Blakinger (Terra Visiting Professor of American Art, 2018-2019, Oxford University), MIT Press Ltd. How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites.Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszl Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice- the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation- the Cold War avant-garde. Blakinger traces Kepes's career in the United States through a series of episodes- Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors-some of whom had ties to the Center. In attempting to "undream" the Bauhaus into existence in the postwar world, Kepes faced profound resistance. Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture. Hardback.…

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 480 pages. 9.75x7.00x1.25 inches. In Stock.

Condición: New. 2019. Hardcover. . . . . .

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites.Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszl Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice- the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation- the Cold War avant-garde.Blakinger traces Kepes's career in the United States through a series of episodes- Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors-some of whom had ties to the Center. In attempting to "undream" the Bauhaus into existence in the postwar world, Kepes faced profound resistance.Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture. How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.