Isbn: 9780252087790 - thunder on the stage: the dramatic vision of richard wright (26 resultados)

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Condición: As New. 1st Edition. Includes some photos. No marks in text. Not a library book. Ships in a cardboard enclosure, from Tim's Used Books, open shop in Provincetown, Massachusetts. Founded 1991 on the principle of good books at fair prices.

Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 310 pages.

8vo. Original pictorial card covers (softback) (complimentary copy stamp on bottom page edge - otherwise Fine). Pp. xxi + 282, with b&w illus (no inscriptions). [Parallel Italian and English text].

Condición: New.

Paperback. Condición: New. Richard Wright's dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright's long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright's family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright's oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick's analysis also illuminates Wright's direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son's first film version; and his play "Daddy Goodness," a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New.

Condición: New. 2024. First Edition. paperback. . . . . .

Condición: New. In English.

Paperback. Condición: new. Paperback. Richard Wrights dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wrights long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wrights family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wrights oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dicks analysis also illuminates Wrights direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Sons first film version; and his play Daddy Goodness, a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 296 pages. 9.26x6.13x1.20 inches. In Stock.

Condición: New. 2024. First Edition. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. First Edition NO-PA16APR2015-KAP.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Brand New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Richard Wrights dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wrights long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wrights family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wrights oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dicks analysis also illuminates Wrights direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Sons first film version; and his play Daddy Goodness, a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Thunder on the Stage | The Dramatic Vision of Richard Wright | Bruce Allen Dick | Taschenbuch | Englisch | 2024 | University of Illinois Press | EAN 9780252087790 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Condición: New. Richard Wright's dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright's long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright's family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright's oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick's analysis also illuminates Wright's direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son's first film version; and his play "Daddy Goodness," a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Richard Wright's dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright's long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright's family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright's oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick's analysis also illuminates Wright's direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son's first film version; and his play 'Daddy Goodness,' a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer. Englisch. …

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Richard Wright's dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright's long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright's family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright's oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick's analysis also illuminates Wright's direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son's first film version; and his play 'Daddy Goodness,' a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.…