Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
EUR 28,60
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por Columbia University Press 12/9/2014, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 36,68
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback or Softback. Condición: New. Maya Deren: Incomplete Control. Book.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 39,12
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Columbia University Press, US, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 41,49
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 44,04
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: Majestic Books, Hounslow, Reino Unido
EUR 38,72
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 296.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 43,13
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 56,57
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 278 pages. 9.00x6.00x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 50,59
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Columbia University Press, New York & London, 2015
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: Tombland Bookshop, Norwich, NFLK, Reino Unido
EUR 23,84
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Añadir al carritoSoftcover. Condición: Very Good. 8vo.,xi., 278 pp plus 3pp. publishers list. Very good in original card covers, lightest shelfwear only, very good Size: 8vo - over 7¾" - 9¾" tall.
Idioma: Inglés
Publicado por Columbia University Press, US, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 43,14
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.
Idioma: Inglés
Publicado por Columbia University Press, 2014
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: moluna, Greven, Alemania
EUR 45,36
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film.
Idioma: Inglés
Publicado por Columbia University Press Jan 2015, 2015
ISBN 10: 0231162219 ISBN 13: 9780231162210
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 58,70
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-centurys groundbreaking aesthetic movements and films.