9780228023722 - Our Subversive Voice: The History and Politics of English Protest Songs, 1600?2020: 8 (McGill-Queen's Studies in Protest, Power, and Resistance, 8) de Street, John;... (28 resultados)

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardback or Cased Book. Condición: New. Our Subversive Voice: The History and Politics of English Protest Songs, 1600-2020 Volume 8. Book.

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Hardback. Condición: New. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.

Hardcover. Condición: new. Hardcover. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future. Our Subversive Voice establishes the protest song as a mode of political communication. Covering five centuries in Englands history, from street ballads and art song to grime, hymns, music hall, and punk, this book explores the causes that protest songs adopt, the conditions that give rise to them, and the institutions that have suppressed them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.

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Hardcover. Condición: Brand New. 292 pages. 9.00x6.00x1.00 inches. In Stock.

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Hardcover. Condición: Brand New. 292 pages. 9.00x6.00x1.00 inches. In Stock.

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Hardcover. Condición: new. Hardcover. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future. Our Subversive Voice establishes the protest song as a mode of political communication. Covering five centuries in Englands history, from street ballads and art song to grime, hymns, music hall, and punk, this book explores the causes that protest songs adopt, the conditions that give rise to them, and the institutions that have suppressed them. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condición: New. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.

Condición: New.

Hardcover. Condición: new. Hardcover. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future. Our Subversive Voice establishes the protest song as a mode of political communication. Covering five centuries in Englands history, from street ballads and art song to grime, hymns, music hall, and punk, this book explores the causes that protest songs adopt, the conditions that give rise to them, and the institutions that have suppressed them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - Our Subversive Voice establishes the protest song as a mode of political communication. Covering five centuries in England's history, from street ballads and art song to grime, hymns, music hall, and punk, this book explores the causes that protest songs adopt, the conditions that give rise to them, and the institutions that have suppressed them.

Hardback. Condición: New. Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.

Buch. Condición: Neu. Our Subversive Voice | The History and Politics of English Protest Songs, 1600-2020 | John Street (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2025 | McGill-Queen's University Press | EAN 9780228023722 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.