Isbn: 9780226702001 - music and the racial imagination (chicago studies in ethnomusicology) (22 resultados)

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. Brand New.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780226702001.…

Condición: new.

Condición: New.

Condición: New. Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music. Series: Chicago Studies in Ethnomusicology. Num Pages: 720 pages, 36 halftones, 3 line drawings. BIC Classification: AV; JFCX; JFSL; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 40. Weight in Grams: 930. . 2001. 1st Edition. Paperback. . . . . …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music. Series: Chicago Studies in Ethnomusicology. Num Pages: 720 pages, 36 halftones, 3 line drawings. BIC Classification: AV; JFCX; JFSL; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 40. Weight in Grams: 930. . 2001. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Condición: New. pp. 720.

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 720 Index.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Brand New. 1st edition. 703 pages. 8.75x6.00x1.50 inches. In Stock.

Kartoniert / Broschiert. Condición: New. Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-West.

Taschenbuch. Condición: Neu. Neuware - 'A specter lurks in the house of music, and it goes by the name of race,' write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of 'world music.' Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.…

Paperback. Condición: Brand New. 1st edition. 703 pages. 8.75x6.00x1.50 inches. In Stock. This item is printed on demand.