9780226591933 - hilma af klint: notes and methods de af klint, hilma (36 resultados)

Hilma Af Klint : Notes and Methods
Af Klint, Hilma; Müller-westermann, Iris (INT); Af Klint, Johan (AFT); Burgin, Christine (EDT); Bonnier, Kerstin Lind (TRN)
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Hardcover. Condición: Used - Very Good. At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained… artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint's artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves 'The Five,' began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klint's abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen 'Blue Notebooks,' hand-painted and annotated catalogues af Klint created of her most famous series 'Paintings for the Temple,' and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Müller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint. Very nice clean, tight copy free of any marks. NO dj as issued.

Hilma Af Klint : Notes and Methods
Af Klint, Hilma; Müller-westermann, Iris (INT); Af Klint, Johan (AFT); Burgin, Christine (EDT); Bonnier, Kerstin Lind (TRN)
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Condición: As New. Unread book in perfect condition.

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EUR 41,57
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Hardcover. Condición: new. Hardcover. At the turn of the twentieth century, Swedish artist Hilma af Klint (18621944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained ar…tist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klints artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves The Five, began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klints abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. It contains the rarely seen Blue Notebooks, hand-painted and annotated catalogues af Klint created of her most famous series Paintings for the Temple, and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Mueller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint. Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Hardback. Condición: New. At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to cre…ate abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of Klint's artistic investigation in her own words.Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves "The Five," began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words and geometric series, all form part af Klint's abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen "Blue Notebooks," hand-painted and annotated catalogues af Klint created of her most famous series "Paintings for the Temple," and a dictionary compiled by af Klint of the words and letters found in her work. An introduction by Iris Müller-Westermann illuminates this unique and important contribution to the legacy of Hilma af Klint.

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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Hardback or Cased Book. Condición: New. Notes and Methods. Book.

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Hardback. Condición: New. At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to cre…ate abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of Klint's artistic investigation in her own words.Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves "The Five," began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words and geometric series, all form part af Klint's abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen "Blue Notebooks," hand-painted and annotated catalogues af Klint created of her most famous series "Paintings for the Temple," and a dictionary compiled by af Klint of the words and letters found in her work. An introduction by Iris Müller-Westermann illuminates this unique and important contribution to the legacy of Hilma af Klint.

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Condición: New. 2018. Annotated edition. Hardcover. . . . . .

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Hilma Af Klint : Notes and Methods
Af Klint, Hilma; Müller-westermann, Iris (INT); Af Klint, Johan (AFT); Burgin, Christine (EDT); Bonnier, Kerstin Lind (TRN)
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Hilma Af Klint : Notes and Methods
Af Klint, Hilma; Müller-westermann, Iris (INT); Af Klint, Johan (AFT); Burgin, Christine (EDT); Bonnier, Kerstin Lind (TRN)
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Hilma af Klint Notes and Methods
Af Klint, Hilma/ Müller-westermann, Iris (Introduction by)/ Müller-westermann, Iris (Contributor)
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Hilma af Klint Notes and Methods
Af Klint, Hilma/ Müller-westermann, Iris (Introduction by)/ Müller-westermann, Iris (Contributor)
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Editorial: University of Chicago press
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Cloth. Condición: New. Estado de la sobrecubierta: No Jacket, As Issued. 288 pages 300 illustrations in color. Still in publisher's srhink-wrap. Illustrated boards. Edited by Christine Burgin and with an Introduction and Commentary by Iris Müller-Westermann. Book.

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Hardback. Condición: New. At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to cre…ate abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of Klint's artistic investigation in her own words.Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves "The Five," began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words and geometric series, all form part af Klint's abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen "Blue Notebooks," hand-painted and annotated catalogues af Klint created of her most famous series "Paintings for the Temple," and a dictionary compiled by af Klint of the words and letters found in her work. An introduction by Iris Müller-Westermann illuminates this unique and important contribution to the legacy of Hilma af Klint.

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EUR 56,32
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Hardcover. Condición: new. Hardcover. At the turn of the twentieth century, Swedish artist Hilma af Klint (18621944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained ar…tist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klints artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves The Five, began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klints abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. It contains the rarely seen Blue Notebooks, hand-painted and annotated catalogues af Klint created of her most famous series Paintings for the Temple, and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Mueller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint. Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.