Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Añadir al carritoPaperback. Condición: Fine.
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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EUR 8,89
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de America
EUR 8,01
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
EUR 7,31
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Añadir al carritoPaperback. Condición: Very Good.
Idioma: Inglés
Publicado por Oxford University Press Inc, US, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 11,87
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Añadir al carritoPaperback. Condición: New. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane. In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.
Idioma: Inglés
Publicado por Oxford University Press, USA 7/5/2016, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 12,06
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Añadir al carritoPaperback or Softback. Condición: New. The Harlem Renaissance: A Very Short Introduction. Book.
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Book Alley, Pasadena, CA, Estados Unidos de America
EUR 7,18
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Añadir al carritopaperback. Condición: Very Good. Gently used, no markings.
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 10,25
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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EUR 12,64
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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EUR 13,18
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Idioma: Inglés
Publicado por Oxford University Press Inc, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Idioma: Inglés
Publicado por Oxford University Press Inc, US, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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EUR 13,61
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Añadir al carritoPaperback. Condición: New. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane. In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.
Idioma: Inglés
Publicado por Oxford University Press Inc, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Textbooks_Source, Columbia, MO, Estados Unidos de America
EUR 10,62
Cantidad disponible: 9 disponibles
Añadir al carritopaperback. Condición: Good. Illustrated. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code. Used books will not include dust jackets.
Idioma: Inglés
Publicado por Oxford University Press Inc, New York, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 14,47
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Añadir al carritoPaperback. Condición: new. Paperback. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics.In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians,and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane.In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to workingclass blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel DarkPrincess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The HarlemRenaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us. This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Oxford University Press, New York, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: zenosbooks, San Francisco, CA, Estados Unidos de America
EUR 9,72
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Very Good in Wrappers. No Jacket. New York. 2016. June 2016. Oxford University Press. Reprinted Paperback Edition. Very Good in Wrappers. 9780199335558. Very Short Introductions. 4-3/8 x 6-7/8 inches. 160 pages. paperback. keywords: African American Literary Criticism. DESCRIPTION - The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the 'New Negro' movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as 'Mother to Son,' 'Harlem Shadows,' and Cane. In examining the 'New Negro,' she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris. From Hughes's 'The Negro Speaks of Rivers' to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us. inventory #44858.
Idioma: Inglés
Publicado por Oxford University Press Inc, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Textbooks_Source, Columbia, MO, Estados Unidos de America
EUR 12,68
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Añadir al carritopaperback. Condición: New. Illustrated. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Idioma: Inglés
Publicado por Oxford University Press Inc, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Majestic Books, Hounslow, Reino Unido
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Añadir al carritoCondición: New. pp. 160.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 11,13
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Añadir al carritoPaperback. Condición: Brand New. 1st edition. 152 pages. 6.75x4.50x0.25 inches. In Stock.
Idioma: Inglés
Publicado por Oxford University Press OUP, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 21,45
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Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoPaperback. Condición: Brand New. 1st edition. 152 pages. 6.75x4.50x0.25 inches. In Stock.
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Original o primera edición
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Añadir al carritoCondición: New. . 2016. 1st Edition. Paperback. . . . .
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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Añadir al carritoCondición: New. . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 12,45
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Idioma: Inglés
Publicado por Oxford University Press, 2016
ISBN 10: 0199335559 ISBN 13: 9780199335558
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