Isbn: 9780198183235 - the making of the national poet: shakespeare, adaptation and authorship, 1660-1769 (clarendon paperbacks) (28 resultados)

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  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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    Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)

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    Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Idioma: Inglés

    Editorial: Oxford University Press, 1994

    0198183232 / 9780198183235

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    Paperback. Condición: Good. The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration's and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence--including engravings, promptbooks, diaries, statuary, and previously unpublished poems, it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. Through engaging and informative analysis, Dobson's book provides the definitive account of the theater's role in establishing Shakespeare as Britain's National Poet.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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    paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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    paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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    Condición: good. A former university library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. The pages appear unmarked. Pictures available upon request. Individually inspected by Dreagon. Thanks for supporting an independent bookseller.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1992

    0198183232 / 9780198183235

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    Softcover. Condición: Very good. Very good condition.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1994

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    Paperback. Condición: Acceptable. Contains annotations and highlighting NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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  • Idioma: Inglés

    Editorial: Oxford University Press, 1994

    0198183232 / 9780198183235

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    Condición: New. A study of the 18th century's revisions and revaluations of Shakespeare, considering the period's stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare's promotion from archaic playwright to England's timeless Bard. Series: Clarendon Paperbacks. Num Pages: 276 pages, frontispiece, halftones. BIC Classification: 2AB; 3JD; 3JF; DSGS. Category: (P) Professional & Vocational. Dimension: 219 x 140 x 18. Weight in Grams: 380. . 1994. Paperback. . . . .

  • Idioma: Inglés

    Editorial: Oxford University Press, GB, 1994

    0198183232 / 9780198183235

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    Paperback. Condición: New. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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    Condición: New. In English.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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  • Idioma: Inglés

    Editorial: Oxford University Press, 1995

    0198183232 / 9780198183235

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    Condición: New. A study of the 18th century's revisions and revaluations of Shakespeare, considering the period's stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare's promotion from archaic playwright to England's timeless Bard. Series: Clarendon Paperbacks. Num Pages: 276 pages, frontispiece, halftones. BIC Classification: 2AB; 3JD; 3JF; DSGS. Category: (P) Professional & Vocational. Dimension: 219 x 140 x 18. Weight in Grams: 380. . 1994. Paperback. . . . . Books ship from the US and Ireland.

  • Idioma: Inglés

    Editorial: Oxford University Press, 1995

    0198183232 / 9780198183235

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    Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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  • Idioma: Inglés

    Editorial: Oxford University Press, GB, 1994

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    Paperback. Condición: New. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198183232 / 9780198183235

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  • Idioma: Inglés

    Editorial: OUP Oxford, 1995

    0198183232 / 9780198183235

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  • Idioma: Inglés

    Editorial: Oxford University Press, 1995

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  • Idioma: Inglés

    Editorial: Oxford University Press, Oxford, 1994

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    Paperback. Condición: new. Paperback. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of theRestoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which theyparticipate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic andsometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role inestablishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-centurypolitics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books The Making of the National Poet is the first extended study of the eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Oxford University Press, 1995

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    Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

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    Editorial: Oxford University Press, 1995

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    Condición: New. Print on Demand pp. 280 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

  • Idioma: Inglés

    Editorial: Oxford University Press OUP, 1995

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    Editorial: Oxford University Press, 1995

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    Condición: New. PRINT ON DEMAND pp. 280.

  • Idioma: Inglés

    Editorial: Oxford University Press, Oxford, 1994

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    Paperback. Condición: new. Paperback. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of theRestoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which theyparticipate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic andsometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role inestablishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-centurypolitics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books The Making of the National Poet is the first extended study of the eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Idioma: Inglés

    Editorial: OUP Oxford, 1995

    0198183232 / 9780198183235

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    Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A study of the 18th century s revisions and revaluations of Shakespeare, considering the period s stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare s promotion from archaic .

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    Idioma: Inglés

    Editorial: OUP Oxford, 1995

    0198183232 / 9780198183235

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    Taschenbuch. Condición: Neu. The Making of the National Poet | Shakespeare, Adaptation and Authorship, 1660-1769 | Michael S. Pmp Dobson (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 1995 | OUP Oxford | EAN 9780198183235 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.