Isbn: 9780198183235 - the making of the national poet: shakespeare, adaptation and authorship, 1660-1769 (clarendon paperbacks) (28 resultados)

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Paperback. Condición: Good. The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration's and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence--including engravings, promptbooks, diaries, statuary, and previously unpublished poems, it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. Through engaging and informative analysis, Dobson's book provides the definitive account of the theater's role in establishing Shakespeare as Britain's National Poet.…

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paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

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Condición: New. A study of the 18th century's revisions and revaluations of Shakespeare, considering the period's stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare's promotion from archaic playwright to England's timeless Bard. Series: Clarendon Paperbacks. Num Pages: 276 pages, frontispiece, halftones. BIC Classification: 2AB; 3JD; 3JF; DSGS. Category: (P) Professional & Vocational. Dimension: 219 x 140 x 18. Weight in Grams: 380. . 1994. Paperback. . . . .…

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Paperback. Condición: New. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books. …

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Condición: New. A study of the 18th century's revisions and revaluations of Shakespeare, considering the period's stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare's promotion from archaic playwright to England's timeless Bard. Series: Clarendon Paperbacks. Num Pages: 276 pages, frontispiece, halftones. BIC Classification: 2AB; 3JD; 3JF; DSGS. Category: (P) Professional & Vocational. Dimension: 219 x 140 x 18. Weight in Grams: 380. . 1994. Paperback. . . . . Books ship from the US and Ireland.…

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Paperback. Condición: New. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books. …

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Paperback. Condición: new. Paperback. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of theRestoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which theyparticipate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic andsometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role inestablishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-centurypolitics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books The Making of the National Poet is the first extended study of the eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: new. Paperback. The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of theRestoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which theyparticipate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic andsometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role inestablishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-centurypolitics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books The Making of the National Poet is the first extended study of the eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A study of the 18th century s revisions and revaluations of Shakespeare, considering the period s stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare s promotion from archaic .…
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Taschenbuch. Condición: Neu. The Making of the National Poet | Shakespeare, Adaptation and Authorship, 1660-1769 | Michael S. Pmp Dobson (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 1995 | OUP Oxford | EAN 9780198183235 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …