Isbn: 9780198163923 - haydn's symphonic forms: essays in compositional logic (oxford monographs on music) (20 resultados)

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    Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198163924 / 9780198163923

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    Librería: Libreria Anticuaria Camino de Santiago, León - Madrid, LE, EspañaLibreria Anticuaria Camino de Santiago

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    Condición: Bueno. Clarendon Press Oxford. 60045 HAIMO, Ethan [ 1995 Claredon Press Oxford, 1995. Hardcover, without dust jacket 294 pages. música.

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    Editorial: Clarendon Press, 1995

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    Condición: New. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. Series: Oxford Monographs on Music. Num Pages: 310 pages, music examples, tables. BIC Classification: AVA; AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 162 x 22. Weight in Grams: 572. . 1995. Illustrated. hardcover. . . . .…

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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    Condición: New. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. Series: Oxford Monographs on Music. Num Pages: 310 pages, music examples, tables. BIC Classification: AVA; AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 162 x 22. Weight in Grams: 572. . 1995. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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    Condición: As New. Unread book in perfect condition.

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    Editorial: Clarendon Press, 1995

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    Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections

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    Condición: New. In English.

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

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    Editorial: Oxford University Press, GB, 1995

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    Hardback. Condición: New. Illustrated. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that account for specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context.…

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    Editorial: Oxford University Press, GB, 1995

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    Hardback. Condición: New. Illustrated. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that account for specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context.…

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    Editorial: Oxford University Press, Oxford, 1995

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    Hardcover. Condición: new. Hardcover. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts toclarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that accountfor specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context. This book examines formal organization in Haydn's symphonies. The structure of individual movements and the relationships between them are analysed. All common instrumental forms of the Classical era are discussed. The author reconstructs Haydn's principles of formal thought and explains how these principles governed his compositional choices. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Clarendon Press, 1995

    0198163924 / 9780198163923

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  • Idioma: Inglés

    Editorial: OUP Oxford, 2001

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    HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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    Editorial: Oxford University Press, Oxford, 1995

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    Hardcover. Condición: new. Hardcover. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts toclarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that accountfor specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context. This book examines formal organization in Haydn's symphonies. The structure of individual movements and the relationships between them are analysed. All common instrumental forms of the Classical era are discussed. The author reconstructs Haydn's principles of formal thought and explains how these principles governed his compositional choices. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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    Editorial: Oxford University Press, 1995

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    Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Haydn s fundamental principles of formal logic might h.…

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    Editorial: Oxford University Press, Oxford, 1995

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    Hardcover. Condición: new. Hardcover. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts toclarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that accountfor specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context. This book examines formal organization in Haydn's symphonies. The structure of individual movements and the relationships between them are analysed. All common instrumental forms of the Classical era are discussed. The author reconstructs Haydn's principles of formal thought and explains how these principles governed his compositional choices. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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    Editorial: OUP Oxford, 2001

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    Buch. Condición: Neu. Haydn's Symphonic Forms | Essays in Compositional Logic | Ethan Haimo | Buch | Buch Gebunden | Englisch | 2001 | OUP Oxford | EAN 9780198163923 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.…

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    Editorial: Clarendon Press, 1995

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    Condición: New. Print on Demand pp. 312.

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    Editorial: Clarendon Press, 1995

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    Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books

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    Condición: New. Print on Demand pp. 312 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

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    Editorial: Clarendon Press, 1995

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    Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios

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    Condición: New. PRINT ON DEMAND pp. 312.