Isbn: 9780198162308 - mensuration and proportion signs: origins and evolution (oxford monographs on music) (24 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Fine copy in VG complete dustwrraper. No additions.Dustwrapper sunned at spine and a little loose on the book.

Hardcover. dj. Clarendon Press. Dustjacket. LCC: 9212195.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0198162308.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0198162308. …

Condición: New. Sets the origin of musical mensuration and proportion signs in the context of other measuring systems of the 14th century. This book also traces the evolution of the mensural notational system to the threshold of the modern system of notation. Series: Oxford Monographs on Music. Num Pages: 284 pages, halftones, line drawings, tables, music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 243 x 233 x 23. Weight in Grams: 576. . 1993. hardcover. . . . .…

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 288 | Sprache: Englisch | Produktart: Bücher | In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. Berger analyzes the exact meaning of every mensuration and proportion sign in music and theory from the fourteenth to the sixteenth century, and offers revisions of many currently-held views concerning the significance and development of early time signatures.…

Condición: New.

Condición: New.

Condición: New. Sets the origin of musical mensuration and proportion signs in the context of other measuring systems of the 14th century. This book also traces the evolution of the mensural notational system to the threshold of the modern system of notation. Series: Oxford Monographs on Music. Num Pages: 284 pages, halftones, line drawings, tables, music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 243 x 233 x 23. Weight in Grams: 576. . 1993. hardcover. . . . . Books ship from the US and Ireland.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Hardback. Condición: New. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everyday mensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music.…

Hardback. Condición: New. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everyday mensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music.…

Hardcover. Condición: new. Hardcover. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuringsystems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everydaymensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music. A study of the origin of musical mensuration and proportion signs in the context of other measuring signs of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: new. Questo è un articolo print on demand.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: new. Hardcover. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuringsystems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everydaymensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music. A study of the origin of musical mensuration and proportion signs in the context of other measuring signs of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Sets the origin of musical mensuration and proportion signs in the context of other measuring systems of the 14th century. This book also traces the evolution of the mensural notational system to the threshold of the modern system of notation.Inhalt.…

Hardcover. Condición: new. Hardcover. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuringsystems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everydaymensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music. A study of the origin of musical mensuration and proportion signs in the context of other measuring signs of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condición: Neu. Mensuration and Proportion Signs | Origins and Evolution | Anna Maria Busse Berger | Buch | Buch Gebunden | Englisch | 1993 | OUP Oxford | EAN 9780198162308 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand. …

Condición: New. Print on Demand pp. 288.

Condición: New. Print on Demand pp. 288 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 288.